LEADER 02745nam 2200577Ia 450 001 9910791999103321 005 20240111211548.0 010 $a1-283-09814-8 010 $a9786613098146 010 $a0-19-979254-2 035 $a(CKB)2560000000072655 035 $a(EBL)684600 035 $a(OCoLC)714569774 035 $a(SSID)ssj0000524759 035 $a(PQKBManifestationID)12250433 035 $a(PQKBTitleCode)TC0000524759 035 $a(PQKBWorkID)10488080 035 $a(PQKB)11346176 035 $a(Au-PeEL)EBL684600 035 $a(CaPaEBR)ebr10464230 035 $a(CaONFJC)MIL309814 035 $a(MiAaPQ)EBC684600 035 $a(EXLCZ)992560000000072655 100 $a20100222d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe performance of 16th-century music$b[electronic resource] $elearning from the theorists /$fby Anne Smith 210 $aNew York $cOxford University Press$dc2011 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 $a0-19-974261-8 311 $a0-19-974262-6 320 $aIncludes bibliographical references and index. 327 $aCover; About the Companion Web Site; Preface; Contents; 1. Introduction; 2. Part-Book versus Score Culture; 3. Solmization; 4. Metric Hierarchy, Articulation, and Rhythmic Flexibility; 5. Cadences; 6. Mode; 7. The Rhetoric of Counterpoint; 8. What Skills Were Expected of Professional Musicians?; 9. Score Culture; 10. Conclusion; Appendix: Modal Characteristics; Bibliography; Index 330 $aMost modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge 606 $aPerformance practice (Music)$xHistory$y16th century 606 $aMusic$xPerformance$xHistory$y16th century 615 0$aPerformance practice (Music)$xHistory 615 0$aMusic$xPerformance$xHistory 676 $a781.4/309031 700 $aSmith$b Anne$f1951-$01552767 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791999103321 996 $aThe performance of 16th-century music$93812851 997 $aUNINA