LEADER 04122nam 2200577Ia 450 001 9910791974803321 005 20200520144314.0 010 $a1-283-08474-0 010 $a9786613084743 010 $a0-7391-6482-1 035 $a(CKB)2560000000072831 035 $a(EBL)686290 035 $a(OCoLC)721194490 035 $a(SSID)ssj0000537546 035 $a(PQKBManifestationID)11334259 035 $a(PQKBTitleCode)TC0000537546 035 $a(PQKBWorkID)10553908 035 $a(PQKB)11007997 035 $a(MiAaPQ)EBC686290 035 $a(Au-PeEL)EBL686290 035 $a(CaPaEBR)ebr10465446 035 $a(CaONFJC)MIL308474 035 $a(EXLCZ)992560000000072831 100 $a20101213d2011 uy 0 101 0 $aeng 135 $aurcn#nnn||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHip hop's inheritance$b[electronic resource] $efrom the Harlem renaissance to the hip hop feminist movement /$fReiland Rabaka 210 $aLanham, MD $cLexington Books$dc2011 215 $a1 online resource (237 pages) 311 $a0-7391-6481-3 311 $a0-7391-6480-5 320 $aIncludes bibliographical references and index. 327 $aPreface and Acknowledgments: Of the Black Souls Who Sang Neo-Sorrow Songs at the Dawn of the Twenty-First Century -- 1. "It's Bigger Than Hip Hop!": Toward a Critical Theory of Hip Hop Culture and Contemporary Society -- 2. "Civil Rights by Copyright" (Da ReMix!): From the Harlem Renaissance to the Hip Hop Generation -- 3. "Say It Loud!-I'm Black and I'm Proud!": From the Black Arts Movement and Blaxploitation Films to the Conscious and Commercial Rap of the Hip Hop Generation -- 327 $a4. "The Personal Is Political!" (Da Hip Hop Feminist ReMix): From the Black Women's Liberation and Feminist Art Movements to the Hip Hop Feminist Movement -- 5. Is Hip Hop Dead? or, At the Very Least, Dying?: On the Pitfalls of Postmodernism, the Riddles of Contemporary Rap Music, and the Continuing Conundrums of Hip Hop Culture. 330 $aHip Hop's Inheritance arguably offers the first book-length treatment of what hip hop culture has, literally, 'inherited' from the Harlem Renaissance, the Black Arts movement, the Feminist Art movement, and 1980's and 1990's postmodern aesthetics. By comparing and contrasting the major motifs of the aforementioned cultural aesthetic traditions with those of hip hop culture, all the while critically exploring the origins and evolution of black popular culture from antebellum America through to 'Obama's America,' Hip Hop's Inheritance demonstrates that the hip hop generation is not the first generation of young black (and white) folk preoccupied with spirituality and sexuality, race and religion, entertainment and athletics, or ghetto culture and bourgeois culture. Taking interdisciplinarity and intersectionality seriously, Hip Hop's Inheritance employs the epistemologies and methodologies from a wide range of academic and organic intellectual/activist communities in its efforts to advance an intellectual history and critical theory of hip hop culture. Drawing from academic and organic intellectual/activist communities as diverse as African American studies and women's studies, postcolonial studies and sexuality studies, history and philosophy, politics and economics, and sociology and ethnomusicology, Hip Hop's Inheritance calls into question one-dimensional and monodisciplinary interpretations or, rather, misinterpretations, of a multidimensional and multivalent form of popular culture that has increasingly come to include cultural criticism, social commentary, and political analysis. 606 $aRap (Music)$xHistory and criticism 606 $aHip-hop$zUnited States 615 0$aRap (Music)$xHistory and criticism. 615 0$aHip-hop 676 $a782.4216490973 700 $aRabaka$b Reiland$f1972-$0713674 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791974803321 996 $aHip hop's inheritance$93711718 997 $aUNINA