LEADER 01139nam a22002891i 4500 001 991004190579707536 005 20020823115957.0 008 020823s1994 it |||||||||||||||||ita 020 $a8877467428 035 $ab11935078-39ule_inst 035 $aARCHE-002489$9ExL 040 $aDip.to Filologia Ling. e Lett.$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a853.5 100 1 $aBrignole Sale, Anton Giulio$d<1605-1665>$0330282 245 10$aMaria Maddalena, peccatrice e convertita /$cAnton Giulio Brignole Sale ; a cura di Delia Eusebio 260 $a[Milano] :$bFondazione Pietro Bembo,$c[1994] 300 $aCXXXII, 541 p. ;$c20 cm 490 0 $aBiblioteca di scrittori italiani 650 4$aRomanzo sacro 650 4$aRomanzo religioso italiano 700 1 $aEusebio, Delia 907 $a.b11935078$b28-04-17$c01-04-03 912 $a991004190579707536 945 $aLE008 FL.M. X C 93$g1$iLE008N-11543$lle008$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12208425$z01-04-03 996 $aMaria Maddalena peccatrice e convertita$9551620 997 $aUNISALENTO 998 $ale008$b01-04-03$cm$da $e-$fita$git $h0$i1 LEADER 00959nam a22002531i 4500 001 991002189859707536 005 20040213181738.0 008 040407s1966 uika||||||||||||||||eng 035 $ab1288456x-39ule_inst 035 $aARCHE-086418$9ExL 040 $aDip.to Scienze Storiche$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a387.7 100 1 $aSealy, Kenneth R.$0249971 245 14$aThe geography of air transport /$cKenneth R. Sealy 260 $aLondon :$bHutchinson university library,$c1966 300 $a198 p. :$bill. ;$c21 cm 650 4$aAeroporti$xLocalizzazione 650 4$aTrasporti aerei$xGeografia 907 $a.b1288456x$b02-04-14$c16-04-04 912 $a991002189859707536 945 $aLE009 STOR.88.11-105$g1$i2009000173095$lle009$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13447506$z16-04-04 996 $aGeography of air transport$918490 997 $aUNISALENTO 998 $ale009$b16-04-04$cm$da $e-$feng$guik$h4$i1 LEADER 03268nam 2200589 a 450 001 9910791963403321 005 20230725021502.0 010 $a0-8173-8481-2 035 $a(CKB)2560000000079528 035 $a(EBL)835688 035 $a(OCoLC)772845414 035 $a(SSID)ssj0000641988 035 $a(PQKBManifestationID)12217472 035 $a(PQKBTitleCode)TC0000641988 035 $a(PQKBWorkID)10647386 035 $a(PQKB)10030125 035 $a(MiAaPQ)EBC835688 035 $a(Au-PeEL)EBL835688 035 $a(CaPaEBR)ebr10527720 035 $a(EXLCZ)992560000000079528 100 $a20120227d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe prop's the thing$b[electronic resource] $estage properties reconsidered 210 $aTuscaloosa, Ala. $cSoutheastern Theatre Conference and the University of Alabama Press$d2010 215 $a1 online resource (152 p.) 225 1 $aTheatre symposium : a publication of the Southeastern Theatre Conference ;$vv. 18 300 $aDescription based upon print version of record. 311 $a0-8173-7005-6 320 $aIncludes bibliographical references. 327 $aContents; Introduction; Through the Eyes of the Property Director; "Summon up the Blood": The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane; Helen's Theatrical Me?chane?: Props and Costumes in Euripides' Helen; A Cannonade of Weapons: Signs of Transgression in the Early Commedia dell'arte; Adding Some "PEP" ("Proto-Expressionistic Props") to the Swedish Stage: Strindberg's Property Usage and His Intima Teater; Rattle Away at Your Bin: Women, Community, and Bin Lids in Northern Irish Drama; Bearing Witness: The Noose as an Iconic Prop in African American Theatre 327 $aHawaiian Culture Propped High with Meaning: The Lei Hoaka in Victoria Nalani Kneubuhl's EmmalehuaRevisiting Eva Marie Saint's White Glove: On Props, Neurons, Subtext, and Empathy; From Props to Affordances: An Ecological Approachto Theatrical Objects; "Take up the Bodies": Shakespeare's Body Parts, Babies, and Corpses; Contributors 330 $aStage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. However, a skillfully used prop can augment the action, just as a malfunctioning prop can destroy the illusion of the scene. The essays in "Theatre Symposium: Volume 18" approach the subject of stage props from many angles, and include examinations of props in contemporary and historical productions, explorations of the cultural significance of specific props, and arguments about the 410 0$aTheatre symposium ;$vv. 18. 606 $aStage props 606 $aTheater$vCongresses 615 0$aStage props. 615 0$aTheater 676 $a792.05 676 $a792/.05 712 02$aSoutheastern Theatre Conference (U.S.) 712 12$aSETC Theatre Symposium. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791963403321 996 $aThe prop's the thing$93862993 997 $aUNINA