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100   $a20180706d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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200 10$aPerformance theatre and the poetics of failure $eforced entertainment, Goat Island, Elevator Repair Service /$fSara Jane Bailes
210  1$aLondon :$cRoutledge,$d2011.
215   $a1 online resource (248 p.)
300   $aDescription based upon print version of record.
311   $a0-415-58565-1 
311   $a0-415-49099-5 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : failure and representation -- World(s) after a different image : Marxism, slapstick, punk -- Profane illumination : theatre and Forced Entertainment -- News from nowhere : Goat Island Performance Group -- Dislocations of practice : Elevator Repair Service -- Afterword.
330   $aWhat does it mean to ""fail"" in performance? How might staging failure reveal theatre's potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing 
606   $aExperimental theater
615  0$aExperimental theater.
676   $a792.02/2
700   $aBailes$b Sara Jane.$01546890
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910791855403321
996   $aPerformance theatre and the poetics of failure$93802765
997   $aUNINA