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200 12$aA faithfull messenger sent after the Antinomians$b[electronic resource] $eto try their power in their last place of refuge, who are fled to Gods decrees for shelter, as Ioab did to the hornes of the altar and say that they will dye there, I Kings 2, 29, 30
210   $aLondon $cPrinted by M. Okes for T. Bankes ...$d1644
215   $a[4], 38 p
300   $aErrata: p. 38.
300   $a"To the reader" signed: Thomas Bakewell.
300   $aAttributed to Thomas Bakewell.  Cf. BLC.
300   $aReproduction of original in Thomason Collection, British Library.
330   $aeebo-0158
606   $aAntinomianism$vEarly works to 1800
615  0$aAntinomianism
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181   $ctxt
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200 10$aPerformance theatre and the poetics of failure $eforced entertainment, Goat Island, Elevator Repair Service /$fSara Jane Bailes
210  1$aLondon :$cRoutledge,$d2011.
215   $a1 online resource (248 p.)
300   $aDescription based upon print version of record.
311   $a0-415-58565-1 
311   $a0-415-49099-5 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : failure and representation -- World(s) after a different image : Marxism, slapstick, punk -- Profane illumination : theatre and Forced Entertainment -- News from nowhere : Goat Island Performance Group -- Dislocations of practice : Elevator Repair Service -- Afterword.
330   $aWhat does it mean to ""fail"" in performance? How might staging failure reveal theatre's potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing 
606   $aExperimental theater
615  0$aExperimental theater.
676   $a792.02/2
700   $aBailes$b Sara Jane.$01546890
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906   $aBOOK
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