LEADER 02495nam 2200577Ia 450 001 9910791743303321 005 20200520144314.0 010 $a1-283-95391-9 010 $a1-78042-925-8 035 $a(CKB)2560000000082432 035 $a(EBL)915185 035 $a(OCoLC)794383799 035 $a(SSID)ssj0000743306 035 $a(PQKBManifestationID)12309742 035 $a(PQKBTitleCode)TC0000743306 035 $a(PQKBWorkID)10826815 035 $a(PQKB)11373830 035 $a(MiAaPQ)EBC915185 035 $a(Au-PeEL)EBL915185 035 $a(CaPaEBR)ebr10622132 035 $a(CaONFJC)MIL426641 035 $a(PPN)197279007 035 $a(EXLCZ)992560000000082432 100 $a20080210d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIcons$b[electronic resource] /$fNikodim Pavlovich Kondakov 210 $aNew York $cParkstone International$dc2008 215 $a1 online resource (195 p.) 225 0$aTemporis collection 300 $aDescription based upon print version of record. 311 $a1-84484-558-3 320 $aIncludes bibliographical references and index. 327 $aContents; Introduction; Origins: the Orient and Greece; Use and Place of Icons in Russia; The Technique; The 12th to 14th Centuries: Su?zdal andNovgorod, the Greco-Italian school; The 14th and 15th Centuries: the Su?zdalSchool and Andrei? Ruble?v; The 16th Century; The 17th Century; Glossary; Time-Line of Icon Painting; Bibliography; Notes; List of Illustrations 330 $aIcon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences - the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs - combined with a never compromised assertion of a distinctly Slavic soul and identity.This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period. 606 $aIcons$zRussia (Federation) 606 $aIcons, Russian 615 0$aIcons 615 0$aIcons, Russian. 676 $a704.9482 700 $aKondakov$b N. P$g(Nikodim Pavlovich),$f1844-1925.$0480669 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791743303321 996 $aIcons$93694313 997 $aUNINA