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010   $a9786613655035
010   $a1-61168-382-3
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100   $a20060726d2006      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe cinematic mode of production$b[electronic resource] $eattention economy and the society of the spectacle /$fJonathan Beller
210   $aHanover, N.H. $cDartmouth College Press $cUniversity Press of New England$dc2006
215   $a1 online resource (349 p.)
225 1 $aInterfaces, studies in visual culture
300   $aDescription based upon print version of record.
311   $a1-58465-582-8 
320   $aIncludes bibliographical references and index.
327   $aTitle Page; Dedication; Contents; Acknowledgments; Abbreviations; Introduction: The Political Economy of the Postmodern; Part I; 1 | Circulation: Dziga Vertov and the Film of Money; 2 | Production: The Spectatorship of the Proletariat; 3 | The Unconscious: The Unconscious of the Unconscious, or, The Work of Consciousness in the Age of Technological Imagination; Part II; 4 | Inspiration of Objects, Expiration of Words: Cinema, Capital of the Twentieth Century; 5 | The Pyrotechnics of Control: Numismatics of the Sensual, Calculus of the Image
327   $a6 | Proprioception: Killer-Eye, Killer World: The Media-Environmentfor Natural Born KillersEpilogue: Paying Attention; Index
330   $aA revolutionary reconceptualization of capital and perception during the twentieth century.
410  0$aInterfaces, studies in visual culture.
606   $aMotion picture industry
606   $aMotion pictures$xPhilosophy
615  0$aMotion picture industry.
615  0$aMotion pictures$xPhilosophy.
676   $a791.4301
700   $aBeller$b Jonathan$0705855
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910791735203321
996   $aThe cinematic mode of production$93828552
997   $aUNINA