LEADER 04410oam 2200877 450 001 9910791733703321 005 20200908175127.0 010 $a1-84779-584-6 010 $a1-78170-252-7 010 $a1-84779-435-1 024 7 $a10.7765/9781847794352 035 $a(CKB)2560000000085693 035 $a(EBL)1069678 035 $a(OCoLC)818847458 035 $a(SSID)ssj0000712862 035 $a(PQKBManifestationID)12274051 035 $a(PQKBTitleCode)TC0000712862 035 $a(PQKBWorkID)10649758 035 $a(PQKB)10131355 035 $a(StDuBDS)EDZ0000086873 035 $a(MiAaPQ)EBC1069678 035 $a(Au-PeEL)EBL1069678 035 $a(CaPaEBR)ebr10627245 035 $a(CaONFJC)MIL843490 035 $a(OCoLC)1100840391 035 $a(MdBmJHUP)musev2_78498 035 $a(UkMaJRU)992976143145501631 035 $a(DE-B1597)660344 035 $a(DE-B1597)9781847794352 035 $a(EXLCZ)992560000000085693 100 $a20121120d2007 uy 0 101 0 $aeng 135 $aurun#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTony Garnett /$fStephen Lacey 210 1$aManchester :$cManchester University Press,$d2007. 210 31$aManchester, UK :$cManchester University Press,$d[2013] 210 4$dİ2007 215 $a1 online resource (203 pages) $cdigital file(s) 225 1 $aThe Television Series 300 $aDescription based upon print version of record. 311 0 $a0-7190-6629-8 311 0 $a0-7190-6628-X 320 $aIncludes bibliographical references, filmography and index. 327 $aCopyright; Contents; General editors' preface; Acknowledgements; Introduction: telling the truth; 1. From actor to producer: into the driving seat; 2. The 1960's: social realism and The Wednesday Play; 3. Plays for today: representing 'managed dissensus'; 4. Independence and dependency; Appendix I:List of television plays and films; Appendix II: List of films for theatrical release; Bibliography; Index 330 $aTony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts Garnett's career from his early days as an actor to his position as executive producer and head of World Productions. Drawing on personal interviews, archival research, contextual analysis and selected case studies, Tony Garnett examines the ways in which Garnett has helped to define the role of the producer in British television drama. Arguing that Garnett was both a key creative and political influence on the work he produced and an enabler of the work of others, the book traces his often combative relationships with broadcasting institutions (especially the BBC). Additionally, the study discusses the films he made for the cinema and considers some of the ways in which Garnett's experiments in film technology?16 mm in the 1960s, digital video in the 1990s?have shaped his creative output. Tony Garnett will be of interest to all levels of researchers and students of British television drama, media and film. 410 0$aTelevision series (Manchester University Press) 606 $aRealism on television 606 $aFilm and Media$2mup 606 $aFilm, TV & Radio$2bicssc 606 $aART / Film & Video$2bisacsh 606 $aElectronic, holographic & video art$2thema 610 $aBritish television drama. 610 $aCathy Come Home. 610 $aThis Life. 610 $aTony Garnett. 610 $aUp the Junction. 610 $aWorld Productions. 610 $acreative producer. 610 $adrama series. 610 $aexecutive producer. 610 $asocial realist aesthetic. 615 0$aRealism on television. 615 7$aFilm and Media 615 7$aFilm, TV & Radio 615 7$aART / Film & Video 615 7$aElectronic, holographic & video art 676 $a791.450233092 700 $aLacey$b Stephen$0221055 801 0$bUkMaJRU 906 $aBOOK 912 $a9910791733703321 996 $aTony Garnett$93828541 997 $aUNINA