LEADER 03236nam 2200745 a 450 001 9910791730403321 005 20230828231917.0 010 $a1-78170-121-0 010 $a1-84779-193-X 024 7 $a10.7765/9781847791931 035 $a(CKB)2560000000085697 035 $a(EBL)1069511 035 $a(OCoLC)818847203 035 $a(SSID)ssj0000747054 035 $a(PQKBManifestationID)12385827 035 $a(PQKBTitleCode)TC0000747054 035 $a(PQKBWorkID)10697575 035 $a(PQKB)10513223 035 $a(StDuBDS)EDZ0000086223 035 $a(MiAaPQ)EBC1069511 035 $a(MiAaPQ)EBC1934182 035 $a(Au-PeEL)EBL1069511 035 $a(CaPaEBR)ebr10623273 035 $a(CaONFJC)MIL843637 035 $a(Au-PeEL)EBL1934182 035 $a(OCoLC)932346782 035 $a(DE-B1597)659152 035 $a(DE-B1597)9781847791931 035 $a(EXLCZ)992560000000085697 100 $a20121130d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe British new wave$b[electronic resource] $ea certain tendency? /$fB.F. Taylor 210 $aManchester $cManchester University Press$d2006 215 $a1 online resource (200 p.) 300 $aDescription based upon print version of record. 311 $a0-7190-6909-2 311 $a0-7190-6908-4 320 $aIncludes bibliographical references and index. 327 $a9780719069086; 9780719069086; Copyright; Contents; Plates; Acknowledgements; 1 The British New Wave:a certain tendency?; 2 From microscope to telescope: the films of Tony Richardson; 3 A cinema of surfaces: Jack Clayton's Room at the Top; 4 Major themes and minormovements: composition and repetition in John Schlesinger's Billy Liar; 5 The critical forest; 6 Straight lines and rigid readings: Arthur Seaton and the arc of flight; 7 Bodies, critics and This Sporting Life; 8 Single vessels and twisting ropes; Bibliography; Index 330 $aThis book offers an opportunity to reconsider the films of the British New Wave in the light of forty years of heated debate. By eschewing the usual tendency to view films like A Kind of Loving and The Entertainer collectively and include them in broader debates about class, gender, and ideology, this book presents a new and innovative look at this famous cycle of British films. For each film, a re-distribution of existing critical emphasis also allows the problematic relationship between these films and the question of realism to be reconsidered. Drawing upon existing sources and returning to 606 $aMotion picture industry$zGreat Britain 610 $aBilly Liar. 610 $aBritish New Wave. 610 $aBritish films. 610 $aKind of Loving. 610 $aclass. 610 $afilm criticism. 610 $afilm interpretation. 610 $agender. 610 $aideology. 610 $arealism. 615 0$aMotion picture industry 676 $a791.430941 700 $aTaylor$b B. F$01561607 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791730403321 996 $aThe British new wave$93828519 997 $aUNINA