LEADER 02228nam 2200649Ia 450 001 9910791679703321 005 20171026195700.0 010 $a1-282-88296-1 010 $a9786612882968 010 $a0-472-02454-X 024 7 $a10.3998/mpub.295986 035 $a(CKB)2560000000053313 035 $a(EBL)3414953 035 $a(OCoLC)671648362 035 $a(SSID)ssj0000420148 035 $a(PQKBManifestationID)11295546 035 $a(PQKBTitleCode)TC0000420148 035 $a(PQKBWorkID)10384638 035 $a(PQKB)11560987 035 $a(MiAaPQ)EBC3414953 035 $a(MdBmJHUP)muse21443 035 $a(MiU)10.3998/mpub.295986 035 $a(Au-PeEL)EBL3414953 035 $a(CaPaEBR)ebr10424695 035 $a(CaONFJC)MIL288296 035 $a(dli)HEB31462.0001.001 035 $a(MiU)MIU01200000000000000000238 035 $a(EXLCZ)992560000000053313 100 $a20100331d2010 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aI don't sound like nobody $eremaking music in 1950s America /$fAlbin J. Zak III 210 1$aAnn Arbor :$cUniversity of Michigan Press,$d2010. 215 $a1 online resource (325 p.) 225 1 $aTracking pop 300 $aDescription based upon print version of record. 311 $a0-472-11637-1 320 $aIncludes bibliographical references, index, and discography. 327 $aRecords on the radio -- Shifting currents in the mainstream -- Hustlers and amateurs -- Crossing over -- Surface noise -- "Hail! hail! rock and roll" -- New traditions. 330 $aA definitive study of the most important decade in post-World War II popular music history 410 0$aTracking pop 606 $aMusic$zUnited States$y20th century$xHistory and criticism 606 $aMusic trade$zUnited States 615 0$aMusic$xHistory and criticism. 615 0$aMusic trade 676 $a781.640973/09045 700 $aZak$b Albin$01501012 712 02$aMichigan Publishing (University of Michigan) 801 0$bMiU 801 1$bMiU 906 $aBOOK 912 $a9910791679703321 996 $aI don't sound like nobody$93727966 997 $aUNINA