LEADER 03988nam 2200757 450 001 9910791656703321 005 20230618050518.0 010 $a1-4875-3060-9 010 $a1-4426-9760-1 024 7 $a10.3138/9781442697607 035 $a(CKB)2560000000054420 035 $a(OCoLC)705263685 035 $a(CaPaEBR)ebrary10442589 035 $a(SSID)ssj0000485487 035 $a(PQKBManifestationID)11294033 035 $a(PQKBTitleCode)TC0000485487 035 $a(PQKBWorkID)10603922 035 $a(PQKB)10358388 035 $a(CEL)433633 035 $a(CaBNvSL)slc00226125 035 $a(MiAaPQ)EBC3272801 035 $a(MiAaPQ)EBC4672928 035 $a(DE-B1597)465211 035 $a(OCoLC)1013956041 035 $a(OCoLC)944176553 035 $a(DE-B1597)9781442697607 035 $a(Au-PeEL)EBL4672928 035 $a(CaPaEBR)ebr11258579 035 $a(OCoLC)958572199 035 $a(OCoLC)1320932625 035 $a(MdBmJHUP)musev2_105839 035 $a(EXLCZ)992560000000054420 100 $a20160926h20092009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLast Judgment iconography in the Carpathians /$fJohn-Paul Himka 210 1$aToronto, Ontario ;$aBuffalo, New York ;$aLondon, England :$cUniversity of Toronto Press,$d2009. 210 4$dİ2009 215 $a1 online resource (326 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4875-2341-6 311 $a0-8020-9809-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Origins -- Further elaboration -- Disintegration -- Conclusions -- Appendix 1 : Place names in different languages -- Appendix 2 : Ephraim the Syrian's Sermon on the second coming of our Lord Jesus Christ : summary -- Appendix 3 : The life of St. Basil tthe New : summary -- Appendix 4 : Early modern Ukrainian sermons on the Last Judgment. 330 $a"Few subjects in Christianity have inspired artists as much as the Last Judgment. Last Judgment Iconography in the Carpathians examines over 100 images of the Last Judgment, with an emphasis on those from the fifteenth century to the eighteenth century, in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania. John-Paul Himka's analysis of these monumental works of art allows him to consider history free from the traditional frameworks and narratives of nations. For nine years, Himka studied Last-Judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region." "Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Originally painted by monks, these images increased in popularity and eventually came to be commissioned and even painted by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and Slavists."--Jacket. 606 $aJudgment Day in art 606 $aApocalypse in art 606 $aIcons$zCarpathian Mountains Region$xHistory 607 $aCarpathian Mountains Region$xReligious life and customs 608 $aHistory. 608 $aElectronic books. 615 0$aJudgment Day in art. 615 0$aApocalypse in art. 615 0$aIcons$xHistory. 676 $a704.9/482094779 700 $aHimka$b John-Paul$f1949-$0508950 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791656703321 996 $aLast Judgment iconography in the Carpathians$93748139 997 $aUNINA