LEADER 04823nam 2200601Ia 450 001 9910791585703321 005 20200520144314.0 010 $a1-282-71360-4 010 $a9786612713606 010 $a0-8108-7655-8 035 $a(CKB)2560000000016774 035 $a(EBL)616315 035 $a(OCoLC)659730064 035 $a(SSID)ssj0000418179 035 $a(PQKBManifestationID)12121443 035 $a(PQKBTitleCode)TC0000418179 035 $a(PQKBWorkID)10377040 035 $a(PQKB)10073348 035 $a(Au-PeEL)EBL616315 035 $a(CaPaEBR)ebr10404832 035 $a(CaONFJC)MIL271360 035 $a(MiAaPQ)EBC616315 035 $a(EXLCZ)992560000000016774 100 $a20100212d2010 uy 0 101 0 $aeng 135 $aur|n||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFrom the arthouse to the grindhouse$b[electronic resource] $ehighbrow and lowbrow transgression in cinema's first century /$fedited by John Cline, Robert G. Weiner 210 $aLanham, Md. $cScarecrow Press$d2010 215 $a1 online resource (363 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-7654-X 320 $aIncludes bibliographical references and index. 327 $aContents; Foreword; Acknowledgments; Introduction; Part I. EARLY TRANSGRESSIONS; CHAPTER 1. Erotica in the Service of Social Hygiene: Sexual Enlightenment Melodramas in Austro-Hungarian and Weimar German Cinema; CHAPTER 2. Kicking against the Pricks: The Perverseness of Erich von Stroheim; CHAPTER 3. Two Helens and a Host of Tricks: Tod Browning's The Thirteenth Chair; CHAPTER 4. The Prince of Exploitation: Dwain Esper; Part II. SEXPLOITATION; CHAPTER 5. Fondling Your Eyeballs: Watching Doris Wishman; CHAPTER 6. Exploring Cinema's Sordid Side: The Films of Sonney and Friedman 327 $aCHAPTER 7. In Celebration of Going Too Far: WaterpowerCHAPTER 8. The Last Film, the Last Book: Pasolini and Sade; Part III. EXHIBITION; CHAPTER 9. Horror at the Crossroads: Class, Gender, and Taste at the Rialto; CHAPTER 10. Japanese Grindhouse: The Tobita Cinema in Osaka; CHAPTER 11. Grindhouse and Beyond; CHAPTER 12. Art and Grind in Seattle; Part IV. TRANSGRESSIVE STARS; CHAPTER 13. The Humanist Transgressions of Lon Chaney; CHAPTER 14. The Perfect Threat Arch Hall Jr., The Sadist, and the Ideal Teenager; CHAPTER 15. The History of a Sexual Revolutionary: Jamie Gillis 327 $aCHAPTER 16. Cult-ural Learnings from Borat: A Model for the New Standardized Cult FilmPart V. REALITY/DOCUMENTARYTRANSGRESSIONS; CHAPTER 17. The Transgressive Toke: Art and Misdemeanor in Deadhead Imagery; CHAPTER 18. The Real Faces of Death: Art Shock in Des Morts; CHAPTER 19. The Small World of Snuff: Fetish Custom Video; CHAPTER 20. There Is Nothing More Objectionable Than Objectivity: The Films of Peter Watkins; CHAPTER 21. It's Only a Movie?: Reality as Transgression in Exploitation Cinema; Index; About the Editors and Contributors 330 $aWhile there are numerous books on art and exploitation cinema, very few attempt to examine both. Covering the first 100 years of cinematic transgressions, From the Arthouse to the Grindhouse is a collection of numerous essays representing key contributions to overlooked, forgotten, or under-analyzed parts of film history. From cult favorites like Arch Hall Jr. to revered but under-documented marquee names like Lon Chaney, filmmakers both major and minor are covered here. Starting with a section that pairs exploitation pioneers like Dwain Esper alongside cutting edge auteurs like Erich Von Stroheim, the volume documents the bleeding edge of the high/low cultural divide. Other essays examine the sexual melodramas of Weimer German cinema, explore the concept of Borat as a model for the new standardized cult film, and discuss the films of directors Tod Browning, Pier Pasolini, and Peter Watkins. This volume also contains a section devoted to the idea of "reality" inside and outside the documentary sphere, emphasizing audiences' desire to believe that "this is really happening," whether they're horrified or titillated. Addressing many aspects of "transgression" in cinema, these essays suggest that the distance between the venues and the audiences may not be quite as wide as viewers might imagine. 606 $aSensationalism in motion pictures 606 $aExploitation films 615 0$aSensationalism in motion pictures. 615 0$aExploitation films. 676 $a791.43/653 701 $aCline$b John$f1981-$01571844 701 $aWeiner$b Robert G.$f1966-$0150001 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791585703321 996 $aFrom the arthouse to the grindhouse$93846390 997 $aUNINA