LEADER 04605nam 2200829 a 450 001 9910791441603321 005 20230725015738.0 010 $a0-292-78466-X 024 7 $a10.7560/723009 035 $a(CKB)2560000000051696 035 $a(OCoLC)688305863 035 $a(CaPaEBR)ebrary10428835 035 $a(SSID)ssj0000428644 035 $a(PQKBManifestationID)11305691 035 $a(PQKBTitleCode)TC0000428644 035 $a(PQKBWorkID)10424535 035 $a(PQKB)11738341 035 $a(MiAaPQ)EBC3571757 035 $a(MdBmJHUP)muse2448 035 $a(Au-PeEL)EBL3571757 035 $a(CaPaEBR)ebr10428835 035 $a(DE-B1597)588719 035 $a(OCoLC)1286807450 035 $a(DE-B1597)9780292784666 035 $a(EXLCZ)992560000000051696 100 $a20100504d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSpies and holy wars$b[electronic resource] $ethe Middle East in 20th-century crime fiction /$fReeva Spector Simon 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2010 215 $a1 online resource (225 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-72300-8 320 $aIncludes bibliographical references and index. 327 $aCrime fiction as political metaphor -- Spies and holy war : jihad and World War I -- Holy war and empire : Fu Manchu in Cairo -- The publishing explosion and James Bond -- Secular jihad : international terrorism and economic destabilization -- The American crusade against terror -- Jihad, the apocalypse, and back again. 330 $aIlluminating a powerful intersection between popular culture and global politics, Spies and Holy Wars draws on a sampling of more than eight hundred British and American thrillers that are propelled by the theme of jihad?an Islamic holy war or crusade against the West. Published over the past century, the books in this expansive study encompass spy novels and crime fiction, illustrating new connections between these genres and Western imperialism. Demonstrating the social implications of the popularity of such books, Reeva Spector Simon covers how the Middle Eastern villain evolved from being the malleable victim before World War II to the international, techno-savvy figure in today's crime novels. She explores the impact of James Bond, pulp fiction, and comic books and also analyzes the ways in which world events shaped the genre, particularly in recent years. Worldwide terrorism and economic domination prevail as the most common sources of narrative tension in these works, while military "tech novels" restored the prestige of the American hero in the wake of post-Vietnam skepticism. Moving beyond stereotypes, Simon examines the relationships between publishing trends, political trends, and popular culture at large?giving voice to the previously unexamined truths that emerge from these provocative page-turners. 606 $aEnglish fiction$y20th century$xHistory and criticism 606 $aAmerican fiction$y20th century$xHistory and criticism 606 $aSpy stories, English$xHistory and criticism 606 $aSpy stories, American$xHistory and criticism 606 $aDetective and mystery stories, English$xHistory and criticism 606 $aDetective and mystery stories, American$xHistory and criticism 606 $aJihad in literature 606 $aEspionage in literature 606 $aSpies in literature 606 $aPolitics and literature$zGreat Britain$xHistory$y20th century 606 $aPolitics and literature$zUnited States$xHistory$y20th century 607 $aMiddle East$xIn literature 615 0$aEnglish fiction$xHistory and criticism. 615 0$aAmerican fiction$xHistory and criticism. 615 0$aSpy stories, English$xHistory and criticism. 615 0$aSpy stories, American$xHistory and criticism. 615 0$aDetective and mystery stories, English$xHistory and criticism. 615 0$aDetective and mystery stories, American$xHistory and criticism. 615 0$aJihad in literature. 615 0$aEspionage in literature. 615 0$aSpies in literature. 615 0$aPolitics and literature$xHistory 615 0$aPolitics and literature$xHistory 676 $a823/.08720935856 700 $aSimon$b Reeva S$0826126 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791441603321 996 $aSpies and holy wars$93844237 997 $aUNINA