LEADER 01476nam 2200505Ia 450 001 9910791434403321 005 20230911202258.0 010 $a1-62870-205-2 010 $a1-61503-066-2 035 $a(CKB)2560000000050594 035 $a(CaPaEBR)ebrary10320209 035 $a(SSID)ssj0000485269 035 $a(PQKBManifestationID)11929830 035 $a(PQKBTitleCode)TC0000485269 035 $a(PQKBWorkID)10603109 035 $a(PQKB)10763146 035 $a(MiAaPQ)EBC3002316 035 $a(Au-PeEL)EBL3002316 035 $a(CaPaEBR)ebr10320209 035 $a(OCoLC)647827993 035 $a(EXLCZ)992560000000050594 100 $a20000616d2000 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIntroduction to aluminum alloys and tempers$b[electronic resource] /$fJ. Gilbert Kaufman 210 $aMaterials Park, OH $cASM International$d2000 215 $a1 online resource (265 p.) 300 $aIncludes index. 311 $a0-87170-689-X 606 $aAluminum alloys 606 $aMetals$xHeat treatment 615 0$aAluminum alloys. 615 0$aMetals$xHeat treatment. 676 $a620.1/86 700 $aKaufman$b J. G$g(John Gilbert),$f1931-$0284746 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791434403321 996 $aIntroduction to aluminum alloys and tempers$93744819 997 $aUNINA LEADER 03038nam 22006734a 450 001 996248245403316 005 20240416125730.0 010 $a1-281-09255-X 010 $a9786611092559 010 $a0-8135-4265-0 024 7 $a10.36019/9780813542652 035 $a(CKB)1000000000476868 035 $a(EBL)316415 035 $a(OCoLC)476107156 035 $a(SSID)ssj0000189705 035 $a(PQKBManifestationID)11182856 035 $a(PQKBTitleCode)TC0000189705 035 $a(PQKBWorkID)10165745 035 $a(PQKB)11483053 035 $a(MiAaPQ)EBC316415 035 $a(OCoLC)173650915 035 $a(MdBmJHUP)muse8121 035 $a(Au-PeEL)EBL316415 035 $a(CaPaEBR)ebr10189476 035 $a(CaONFJC)MIL109255 035 $a(DE-B1597)529015 035 $a(DE-B1597)9780813542652 035 $a(dli)HEB08102 035 $a(MiU)KOHA0000000000000000002825 035 $a(OCoLC)1241825941 035 $a(EXLCZ)991000000000476868 100 $a20060508d2007 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLaughing mad $ethe black comic persona in post-soul America /$fBambi Haggins 205 $a1st ed. 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2007 215 $a1 online resource (287 p.) 300 $aDescription based upon print version of record. 311 $a0-8135-3985-4 311 $a0-8135-3984-6 320 $aIncludes bibliographical references (p. 245-267) and index. 327 $aContents; Acknowledgments; Introduction: Enter Laughing; Chapter 1: From Negro to Black: Coming of Comic Age in the Civil Rights Era; Chapter 2: Murphy and Rock: From the "Black Guy" to the "Rock Star"; Chapter 3: Post-Soul Comedy Goes to the Movies: Cinematic Adjustments and [Pop] Cultural Currency; Chapter 4: Crossover Diva: Whoopi Goldberg and Persona Politics; Chapter 5: Dave Chappelle: Provocateur in the Promised Land; Epilogue: Laughing Sad, Laughing Mad; Notes; Index; About the Author 330 $aPrior to the civil rights movement, comedians performed for audiences that were clearly delineated by race. Black comedians performed (primarily) for black audiences and white comedians performed for whites. Yet during the past forty-five years, black comics have become progressively more central to mainstream culture. In Laughing Mad, Bambi Haggins looks at how this transition occurred in a variety of media and shows how these integration processes have empowered black comedians to shape popular notions of the African American condition-for better and for worse. Historically, African American 606 $aAfrican American comedians$vBiography 615 0$aAfrican American comedians 676 $a792.702/8092396073 676 $aB 700 $aHaggins$b Bambi$f1961-$01011865 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996248245403316 996 $aLaughing mad$92346276 997 $aUNISA