LEADER 03709nam 2200733Ia 450 001 9910791403703321 005 20230725015936.0 010 $a1-282-89608-3 010 $a9786612896088 010 $a1-84150-436-X 035 $a(CKB)2560000000052716 035 $a(EBL)605770 035 $a(OCoLC)680776663 035 $a(SSID)ssj0000426807 035 $a(PQKBManifestationID)11283878 035 $a(PQKBTitleCode)TC0000426807 035 $a(PQKBWorkID)10390198 035 $a(PQKB)10806389 035 $a(MiAaPQ)EBC605770 035 $a(Au-PeEL)EBL605770 035 $a(CaPaEBR)ebr10425244 035 $a(CaONFJC)MIL289608 035 $a(EXLCZ)992560000000052716 100 $a20100827d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRecording memories from political violence$b[electronic resource] $ea film-maker's journey /$fCahal McLaughlin 210 $aBristol ;$aChicago $cIntellect$d2010 215 $a1 online resource (170 p.) 300 $aBased on the author's thesis (doctoral)--Royal Holloway University of London. 311 $a1-84150-301-0 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Chapter 1: Raising Heads above the Parapet: Research Questions, Context and Methodologies; Chapter 2: Telling Our Story: The Springhill Massacre; Chapter 3: A Prisoner's Journey: Educational Film-making; Chapter 4: We Never Give Up: Reparations in South Africa; Chapter 5: Inside Stories: Memories from the Maze and Long Kesh Prison; Chapter 6: Prisons Memory Archive: Multi-Narrative Story-Telling; Chapter 7: Unheard Voices: Collaboration with WAVE; Chapter 8: Conclusion; Bibliography and Filmography; Index; Back Cover 330 $aBased on work the author has carried out with survivor groups in South Africa and Northern Ireland, Recording Memories from Political Violence combines written and audiovisual texts to describe and analyze the use of documentary film making in recording experiences of political conflict. A variety of issues relevant to the genre are addressed at length, including the importance of ethics in the collaboration between the filmmaker and the participant and the effect of location on the accounts of participants. McLaughlin draws on the diverse fields of film and cultural studies, as well as nearly 606 $aDocumentary films$xPolitical aspects$zNorthern Ireland 606 $aDocumentary films$xPolitical aspects$zSouth Africa 606 $aDocumentary films$xProduction and direction 606 $aPolitical violence in motion pictures 606 $aImprisonment in motion pictures 606 $aPsychic trauma in motion pictures 606 $aMemory$xPolitical aspects$zNorthern Ireland 606 $aMemory$xPolitical aspects$zSouth Africa 607 $aNorthern Ireland$xIn motion pictures 607 $aSouth Africa$xIn motion pictures 615 0$aDocumentary films$xPolitical aspects 615 0$aDocumentary films$xPolitical aspects 615 0$aDocumentary films$xProduction and direction. 615 0$aPolitical violence in motion pictures. 615 0$aImprisonment in motion pictures. 615 0$aPsychic trauma in motion pictures. 615 0$aMemory$xPolitical aspects 615 0$aMemory$xPolitical aspects 676 $a791.43/6581 700 $aMcLaughlin$b Cahal$01471475 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791403703321 996 $aRecording memories from political violence$93683766 997 $aUNINA