LEADER 03370nam 2200649 450 001 9910791164803321 005 20220208182156.0 010 $a0-8229-8035-5 035 $a(CKB)2550000001329990 035 $a(EBL)2045658 035 $a(OCoLC)909142780 035 $a(SSID)ssj0001267860 035 $a(PQKBManifestationID)12477805 035 $a(PQKBTitleCode)TC0001267860 035 $a(PQKBWorkID)11264052 035 $a(PQKB)11355448 035 $a(OCoLC)756610547 035 $a(MdBmJHUP)muse40096 035 $a(Au-PeEL)EBL2045658 035 $a(CaPaEBR)ebr10895240 035 $a(CaONFJC)MIL627575 035 $a(MiAaPQ)EBC2045658 035 $a(EXLCZ)992550000001329990 100 $a20140722h20082008 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aWashed with sun $elandscape and the making of white South Africa /$fJeremy Foster 210 1$aPittsburgh, Pennsylvania :$cUniversity of Pittsburgh Press,$d2008. 210 4$dİ2008 215 $a1 online resource (377 p.) 300 $aDescription based upon print version of record. 311 $a0-8229-4332-8 311 $a0-8229-5958-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction: landscape, character, and analogical imagination -- From imperialism to nationalism: South Africanism and the politics of white nationhood -- Visual representation, discursive landscape, and "a simple life in a genial climate" -- Between corporeality and representation: theoretical and methodological excursus -- Baden-Powell and the Siege of Mafeking: the enactment of mythical place -- John Buchan's Hesperides: the aesthetics of improvement on the highveld -- Prospect, materiality, and the horizons of potentiality on Parktown Ridge -- Mrs. Everard's lonely career: the Komati Valley and the depiction of nostalgic displacement -- Modernity, memory, and the South African railways: the iconography of emptiness -- The life and afterlife of a contrapuntal subjectivity. 330 $aSouth Africa is recognized as a site of both political turmoil and natural beauty, and yet little work has been done in connecting these defining national characteristics. Washed with Sun; achieves this conjunction in its multidisciplinary study of South Africa as a space at once natural and constructed. Weaving together practical, aesthetic, and ideological analyses, Jeremy Foster examines the role of landscape in forming the cultural iconographies and spatialities that shaped the imaginary geography of emerging nationhood.; Looking in particular at the years following the British victory in 606 $aLandscapes in art 606 $aArts and society$zSouth Africa$xHistory$y20th century 606 $aLandscapes$xPsychological aspects 606 $aWhite people$xRace identity$zSouth Africa 607 $aSouth Africa$vIn art 615 0$aLandscapes in art. 615 0$aArts and society$xHistory 615 0$aLandscapes$xPsychological aspects. 615 0$aWhite people$xRace identity 676 $a700.968 700 $aFoster$b Jeremy$g(Jeremy A.),$f1955-$01550370 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791164803321 996 $aWashed with sun$93809153 997 $aUNINA