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181   $ctxt
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200 10$aAfter the end of history$b[electronic resource] $eAmerican fiction in the 1990s /$fSamuel Cohen
210   $aIowa City $cUniversity of Iowa Press$d2009
215   $a1 online resource (249 p.)
300   $aDescription based upon print version of record.
311   $a1-58729-815-5 
320   $aIncludes bibliographical references and index.
327   $aCONTENTS; Acknowledgments; Introduction: The End of History; 1. After Enlightenment: Mason & Dixon and the Ampersand; 2. After the Fall: Roth and the 1960's; 3. After Identity: Morrison and Genealogy; 4. How to Tell a True Cold War Story: O'Brien, Didion, and Closure; 5. History Is What Heals: 9/11 and Narrative in Eugenides and Lethem; Afterword: DeLillo and the Anticipation of Retrospection; Notes; Works Cited; Index
330   $aIn this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990's novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is iro
606   $aAmerican fiction$y20th century$xHistory and criticism
606   $aLiterature and history$zUnited States$xHistory$y20th century
615  0$aAmerican fiction$xHistory and criticism.
615  0$aLiterature and history$xHistory
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