LEADER 04253nam 2200685 450 001 9910791057203321 005 20230803221236.0 010 $a1-4529-4843-7 010 $a0-8166-7967-3 010 $a1-4529-4227-7 035 $a(CKB)2550000001272806 035 $a(EBL)1673358 035 $a(SSID)ssj0001181875 035 $a(PQKBManifestationID)11634857 035 $a(PQKBTitleCode)TC0001181875 035 $a(PQKBWorkID)11148422 035 $a(PQKB)10570913 035 $a(StDuBDS)EDZ0001177634 035 $a(MiAaPQ)EBC1673358 035 $a(OCoLC)877868293 035 $a(MdBmJHUP)muse35705 035 $a(Au-PeEL)EBL1673358 035 $a(CaPaEBR)ebr10858539 035 $a(CaONFJC)MIL594930 035 $a(EXLCZ)992550000001272806 100 $a20140426h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aThought in the act $epassages in the ecology of experience /$fErin Manning and Brian Massumi 210 1$aMinneapolis, Minnesota :$cUniversity of Minnesota Press,$d2014. 210 4$dİ2014 215 $a1 online resource (201 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-7966-5 311 $a1-306-63679-5 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: -- Contents -- Preface -- Part I. Passages -- Coming Alive in a World of Texture: For Neurodiversity -- A Perspective of the Universe: Alfred North Whitehead Meets Arakawa and Gins -- Just Like That: William Forsythe between Movement and Language -- No Title Yet: Bracha Ettinger Moved By Light -- Part II. Propositions -- For Thought in the Act -- Postscript to Generating the Impossible -- Notes -- Bibliography -- Index. 330 $a" "Every practice is a mode of thought, already in the act. To dance: a thinking in movement. To paint: a thinking through color. To perceive in the everyday: a thinking of the world's varied ways of affording itself." --from Thought in the Act Combining philosophy and aesthetics, Thought in the Act is a unique exploration of creative practice as a form of thinking. Challenging the common opposition between the conceptual and the aesthetic, Erin Manning and Brian Massumi "think through" a wide range of creative practices in the process of their making, revealing how thinking and artfulness are intimately, creatively, and inseparably intertwined. They rediscover this intertwining at the heart of everyday perception and investigate its potential for new forms of activism at the crossroads of politics and art.Emerging from active collaborations, the book analyzes the experiential work of the architects and conceptual artists Arakawa and Gins, the improvisational choreographic techniques of William Forsythe, the recent painting practice of Bracha Ettinger, as well as autistic writers' self-descriptions of their perceptual world and the experimental event making of the SenseLab collective. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making. Thought in the Act goes beyond proposing to enact a collaborative mode of thinking in the act at the intersection of art, philosophy, and politics. "--$cProvided by publisher. 606 $aCreation (Literary, artistic, etc.)$xPhilosophy 606 $aAesthetics 606 $aThought and thinking$xPhilosophy 606 $aExperience 615 0$aCreation (Literary, artistic, etc.)$xPhilosophy. 615 0$aAesthetics. 615 0$aThought and thinking$xPhilosophy. 615 0$aExperience. 676 $a153.3/5 686 $aPHI000000$aART000000$aART009000$2bisacsh 700 $aManning$b Erin$0446537 702 $aMassumi$b Brian 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791057203321 996 $aThought in the act$93847245 997 $aUNINA