LEADER 04754nam 2200697 450 001 9910791019903321 005 20230802012438.0 010 $a1-78320-437-0 010 $a1-78320-436-2 035 $a(CKB)2550000001321633 035 $a(EBL)4307401 035 $a(SSID)ssj0001321515 035 $a(PQKBManifestationID)11751365 035 $a(PQKBTitleCode)TC0001321515 035 $a(PQKBWorkID)11369685 035 $a(PQKB)10022852 035 $a(MiAaPQ)EBC1719541 035 $a(MiAaPQ)EBC4307809 035 $a(Au-PeEL)EBL1719541 035 $a(CaPaEBR)ebr10888129 035 $a(CaONFJC)MIL621097 035 $a(OCoLC)881887983 035 $a(EXLCZ)992550000001321633 100 $a20140711h20122012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPerform, repeat, record $elive art in history /$fedited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood 210 1$aBristol, [England] ;$aChicago, Illinois :$cIntellect,$d2012. 210 4$dİ2012 215 $a1 online resource (595 p.) 300 $aIncludes index. 311 $a1-84150-489-0 311 $a1-306-89846-3 320 $aIncludes bibliographical references and index. 327 $aTitle Page; Copyright Page; Contents; Introductions; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; Theories and Histories; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation 327 $aChapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; Documents; Introduction; Chapter 14: A Text on 20 years with 66 footnotes 327 $aChapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: The Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology 327 $aChapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance / Installation Nexus 327 $aTimeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDialogues; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist 327 $aChapter 42: Every House Has a Door 606 $aMotion pictures$xHistory 606 $aPerformance art$xHistory 606 $aProjection art$xHistory 615 0$aMotion pictures$xHistory. 615 0$aPerformance art$xHistory. 615 0$aProjection art$xHistory. 676 $a791.4309 702 $aJones$b Amelia 702 $aHeathfield$b Adrian 702 $aRose$b Holly 702 $aGreenwood$b Lyn 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910791019903321 996 $aPerform, repeat, record$91339160 997 $aUNINA