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181   $ctxt
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183   $acr
200 10$aPopular music, gender, and postmodernism$b[electronic resource] $eanger is an energy /$fNeil Nehring
210   $aThousand Oaks, Calif. $cSAGE$dc1997
215   $a1 online resource (xxxi, 203 p.)
300   $aDescription based upon print version of record.
311   $a0-7619-0836-6 
311   $a0-7619-0835-8 
320   $aIncludes bibliographical references and index.
327   $apart I. -- part II.
330   $aThe migration of cynical academic ideas about postmodernism into music journalism are traced in this book. The result of this migration is a widespread fatalism over the ability of the music industry to absorb any expression of defiance in popular music.     The book synthesizes a number of fields: American and British academic and journalistic music criticism; aesthetic and literary history and theory from romanticism through postmodernism; alternative music such as feminist punk and grunge; political economy, which has fueled the obsession with commercial incorporation; and subcult
606   $aPunk rock music$xHistory and criticism
606   $aFeminism and music
606   $aAnger in music
606   $aPostmodernism
615  0$aPunk rock music$xHistory and criticism.
615  0$aFeminism and music.
615  0$aAnger in music.
615  0$aPostmodernism.
676   $a781.66
700   $aNehring$b Neil$f1957-$01579282
801  0$bStDuBDS
801  1$bStDuBDS
906   $aBOOK
912   $a9910790971503321
996   $aPopular music, gender, and postmodernism$93859288
997   $aUNINA