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100   $a20130729d2013      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDark matter $einvisibility in drama, theater, and performance /$fAndrew Sofer
210  1$aAnn Arbor :$cThe University of Michigan Press,$d[2013]
215   $a1 online resource (242 p.)
225 1 $aTheater: theory/text/performance
300   $aDescription based upon print version of record.
311   $a0-472-07204-8 
311   $a1-306-13539-7 
320   $aIncludes bibliographical references (pages 147-199) and index.
327   $aHow to do things with demons: conjuring performatives in Doctor Faustus -- Quantum mechanicals: desiring bottom in A midsummer night's dream -- Unmasking women: The rover and sexual signification on the Restoration stage -- Unbecoming acts: power, performance, and the self-consuming body in Tennessee Williams's Suddenly last summer -- Bugs in the mind: The archbishop's ceiling and Arthur Miller's prismatic drama -- Invisible wounds: rehearsing trauma on the contemporary stage.
330   $aMeditations on those entities the audience does not see-and their profound significance in the theater
410  0$aTheater--text/theory/performance.
606   $aOffstage action (Drama)
606   $aPresence (Philosophy)
606   $aEnglish drama$xHistory and criticism
606   $aAmerican drama$xHistory and criticism
615  0$aOffstage action (Drama)
615  0$aPresence (Philosophy)
615  0$aEnglish drama$xHistory and criticism.
615  0$aAmerican drama$xHistory and criticism.
676   $a792.01
700   $aSofer$b Andrew$f1964-$01472593
712 02$aMichigan Publishing (University of Michigan)
801  0$bMiU
801  1$bMiU
906   $aBOOK
912   $a9910790770003321
996   $aDark matter$93846430
997   $aUNINA