LEADER 02889nam 22005774a 450 001 9910456679103321 005 20200520144314.0 010 $a1-282-40915-8 010 $a9786612409158 010 $a0-313-05957-8 035 $a(CKB)2550000000000235 035 $a(EBL)491653 035 $a(OCoLC)61145302 035 $a(SSID)ssj0000440144 035 $a(PQKBManifestationID)11317984 035 $a(PQKBTitleCode)TC0000440144 035 $a(PQKBWorkID)10470775 035 $a(PQKB)11382003 035 $a(MiAaPQ)EBC491653 035 $a(PPN)183663349 035 $a(Au-PeEL)EBL491653 035 $a(CaPaEBR)ebr10349392 035 $a(CaONFJC)MIL240915 035 $a(EXLCZ)992550000000000235 100 $a20030721d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aNew perspectives on prehistoric art$b[electronic resource] /$fedited by Gu?nter Berghaus 210 $aWestport, Conn. $cPraeger$d2004 215 $a1 online resource (278 p.) 300 $aDescription based upon print version of record. 311 $a0-275-97813-3 320 $aIncludes bibliographical references (p. [197]-254) and index. 327 $aContents; Preface; The Discovery and Study of Prehistoric Art; Consciousness, Intelligence, and Art: A View of the West European Middle to Upper Paleolithic Transition; Hunter-Gatherer Imagery in Aboriginal Australia: Interpreting Rock Art by Informed and Formal Methods; Cyclical Nucleation and Sacred Space: Rock Art at the Center; Women in Prehistoric Art; Art in Human Evolution; Paleoperformance: Investigating the Human Use of Caves in the Upper Paleolithic; Rock Art and Rock Sites as Indicators of Prehistoric Theater and Ritual Performances; European Modernism and the Arts of Prehistory 327 $aSelective BibliographyIndex; About the Contributors 330 $aFollowing the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and funct 606 $aArt, Prehistoric 608 $aElectronic books. 615 0$aArt, Prehistoric. 676 $a709/.01 701 $aBerghaus$b Gu?nter$f1953-$0885464 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456679103321 996 $aNew perspectives on prehistoric art$91977245 997 $aUNINA LEADER 03543nam 22006972 450 001 9910790741703321 005 20151005020621.0 010 $a1-139-89248-7 010 $a1-107-70287-9 010 $a1-316-61970-2 010 $a1-107-59828-1 010 $a1-107-68993-7 010 $a1-107-70376-X 010 $a1-139-52403-8 010 $a1-107-66704-6 035 $a(CKB)2550000001171956 035 $a(EBL)1543680 035 $a(OCoLC)865330778 035 $a(SSID)ssj0001036418 035 $a(PQKBManifestationID)12390547 035 $a(PQKBTitleCode)TC0001036418 035 $a(PQKBWorkID)11041584 035 $a(PQKB)10638517 035 $a(UkCbUP)CR9781139524032 035 $a(MiAaPQ)EBC1543680 035 $a(Au-PeEL)EBL1543680 035 $a(CaPaEBR)ebr10812159 035 $a(CaONFJC)MIL552467 035 $a(OCoLC)864551547 035 $a(EXLCZ)992550000001171956 100 $a20120614d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe late poetry of the Lake Poets $eromanticism revised /$fTim Fulford$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (xiv, 311 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Romanticism ;$v104 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-03397-7 311 $a1-306-21216-2 320 $aIncludes bibliographical references and index. 327 $aThe Lake Poets and the picturesque view: the visual turn in the late Southey -- Poetic hells and pacific edens: Southey's tale of Paraguay and Byron's The island -- Print and performance: Christabel: Kubla Khan, a vision; the pains of sleep -- The language of love in the late Coleridge: annual verse and collected poetry -- Naming the abyss: Wordsworth and the sound of power -- Picturing the prehistoric: Wordsworth's sightseeing. 330 $aThe long-established association of Romanticism with youth has resulted in the early poems of the Lake Poets being considered the most significant. Tim Fulford challenges the tendency to overlook the later poetry of no longer youthful poets, which has had the result of neglecting the Wordsworth, Coleridge and Southey of the 1820s and leaving unexamined the three poets' rise to popularity in the 1830s and 1840s. He offers a fresh perspective on the Lake Poets as professional writers shaping long careers through new work as well as the republication of their early successes. The theme of lateness, incorporating revision, recollection, age and loss, is examined within contexts including gender, visual art, the commercial book market. Fulford investigates the Lake Poets' later poems for their impact now, while also exploring their historical effects in their own time and counting the costs of their omission from Romanticism. 410 0$aCambridge studies in Romanticism ;$v104. 606 $aEnglish poetry$y19th century$xHistory and criticism 606 $aLake poets 606 $aRomanticism$zGreat Britain 615 0$aEnglish poetry$xHistory and criticism. 615 0$aLake poets. 615 0$aRomanticism 676 $a821/.709145 700 $aFulford$b Tim$f1962-$0763408 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910790741703321 996 $aThe late poetry of the Lake Poets$93867396 997 $aUNINA