LEADER 04374nam 2200997 450 001 9910790711203321 005 20230803220708.0 010 $a0-520-95803-9 024 7 $a10.1525/9780520958036 035 $a(CKB)2550000001180277 035 $a(SSID)ssj0001085334 035 $a(PQKBManifestationID)11576073 035 $a(PQKBTitleCode)TC0001085334 035 $a(PQKBWorkID)11048522 035 $a(PQKB)10306617 035 $a(StDuBDS)EDZ0000230082 035 $a(MiAaPQ)EBC1589130 035 $a(OCoLC)867819222 035 $a(MdBmJHUP)muse33444 035 $a(DE-B1597)519414 035 $a(DE-B1597)9780520958036 035 $a(Au-PeEL)EBL1589130 035 $a(CaPaEBR)ebr10826596 035 $a(CaONFJC)MIL560391 035 $a(iGPub)UCPB0000691 035 $a(EXLCZ)992550000001180277 100 $a20140128h20142014 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReclaiming late-romantic music $esinging devils and distant sounds /$fPeter Franklin 210 1$aBerkeley, California :$cUniversity of California Press,$d2014. 210 4$dİ2014 215 $a1 online resource (224 pages) 225 0 $aErnest Bloch Lectures ;$v14 225 0$aErnest Bloch lectures 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-520-28039-3 311 $a1-306-29140-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tIllustrations --$tIntroduction --$t1. Setting the Scene: Grandiose Symphonics and the Trouble with Art --$t2. Pessimism, Ecstasy, and Distant Voices: Listening to Late-Romanticism --$t3. Sunsets, Sunrises, and Decadent Oceanics --$t4. Making the World Weep (Problems with Opera) --$t5. Late-Romanticism Meets Classical Music at the Movies --$t6. The Bitter Truth of Modernism: A Late-Romantic Story --$tNotes --$tIndex 330 $aWhy are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom (via work by composers such as Max Steiner, Erich Wolfgang Korngold, and their successors) bring late-romantic music to thousands of listeners who have never set foot in a concert hall. Reclaiming Late-Romantic Music sheds new light on these often unfairly disparaged works and explores the historical dimension of their continuing role in the contemporary sound world. 410 0$aErnest Bloch lectures. 606 $aMusic$y19th century$xHistory and criticism 606 $aMusic$xPhilosophy and aesthetics 610 $abloch. 610 $aclassical music. 610 $aclaude debussy. 610 $acontemporary music. 610 $acontinued influence. 610 $aearly 20th century music. 610 $aearly modern period. 610 $aenglish composer. 610 $aernest bloch lectures series. 610 $afilm music idiom. 610 $afinnish composer. 610 $afrederick delius. 610 $afrench composer. 610 $agiacomo puccini. 610 $agustav mahler. 610 $aitalian opera. 610 $ajohan julius christian sibelius. 610 $alate 19th century music. 610 $alate romantic music. 610 $amass culture. 610 $amodernism. 610 $amodernity. 610 $amusic. 610 $aopera composer. 610 $aopera music. 610 $aromantic composers. 610 $aromantic period. 610 $asecond world war. 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a780.9/034 700 $aFranklin$b Peter$0785130 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790711203321 996 $aReclaiming late-romantic music$93796444 997 $aUNINA