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135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 00$aNeo-latin drama in early modern europe
210  1$a[S.l.] :$cBrill,$d2013.
215   $a1 online resource (808 p.)
225 1 $aDrama and theatre in early modern Europe ;$v3
300   $aDescription based upon print version of record.
311   $a90-04-25342-4 
311   $a1-299-97586-0 
320   $aIncludes bibliographical references and indexes.
327   $tPreliminary Material /$rJan Bloemendal and Howard B. Norland -- $tIntroduction: Neo-Latin Drama: Contexts, Contents and Currents /$rJan Bloemendal and Howard B. Norland -- $tNeo-Latin Theatre in Italy /$rJean-Frédéric Chevalier -- $tNeo-Latin Humanist and Protestant Drama in Germany /$rCora Dietl -- $tJesuit Theatre in Germany, Austria and Switzerland /$rFidel Rädle -- $tNeo-Latin Drama in the Low Countries /$rJan Bloemendal -- $tHumanist Neo-Latin Drama in France /$rMathieu Ferrand -- $tJesuit Neo-Latin Tragedy in France /$rJean-Frédéric Chevalier -- $tNeo-Latin Drama in Britain /$rHoward B. Norland -- $tNeo-Latin Drama in Spain, Portugal and Latin America /$rJoaquín Pascual Barea -- $tCentral and Eastern European Countries /$rJan Bloemendal -- $tLatin Drama in the Nordic Countries /$rRaija Sarasti-Wilenius -- $tWorks Cited /$rJan Bloemendal and Howard B. Norland -- $tAbout the Authors /$rJan Bloemendal and Howard B. Norland -- $tIndex of Names /$rJan Bloemendal and Howard B. Norland -- $tIndex of Geographical Names /$rJan Bloemendal and Howard B. Norland -- $tIndex of Anonymous Plays /$rJan Bloemendal and Howard B. Norland -- $tIndex of Subjects /$rJan Bloemendal and Howard B. Norland.
330   $aFrom circa 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius.
410  0$aDrama and Theatre in Early Modern Europe$v3.
606   $aLatin drama, Medieval and modern$zEurope
615  0$aLatin drama, Medieval and modern
676   $a809
702   $aBloemendal$b Jan$f1961-
702   $aNorland$b Howard B.
801  0$bNL-LeKB
801  1$bNL-LeKB
906   $aBOOK
912   $a9910790659303321
996   $aNeo-latin drama in early modern europe$93793917
997   $aUNINA