LEADER 03668nam 2200625 450 001 9910790644003321 005 20230803022153.0 010 $a0-8135-6108-6 024 7 $a10.36019/9780813561080 035 $a(CKB)2550000001136808 035 $a(EBL)1562491 035 $a(OCoLC)862367858 035 $a(SSID)ssj0001040719 035 $a(PQKBManifestationID)11595358 035 $a(PQKBTitleCode)TC0001040719 035 $a(PQKBWorkID)11009718 035 $a(PQKB)10475246 035 $a(MiAaPQ)EBC1562491 035 $a(MdBmJHUP)muse27699 035 $a(DE-B1597)526063 035 $a(DE-B1597)9780813561080 035 $a(Au-PeEL)EBL1562491 035 $a(CaPaEBR)ebr10787487 035 $a(CaONFJC)MIL536510 035 $a(EXLCZ)992550000001136808 100 $a20150105d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHidden Chicano cinema $efilm dramas in the borderlands /$fA. Gabriel Mele?ndez 210 1$aNew Brunswick, New Jersey ;$aLondon :$cRutgers University Press,$d2013. 210 4$d©2013 215 $a1 online resource (288 p.) 225 1 $aLatinidad : Transnational Cultures in the United States 300 $aDescription based upon print version of record. 311 $a0-8135-6107-8 311 $a1-306-05259-9 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tPreface and Acknowledgments -- $t1. Borderlands Cinema and the Proxemics of Hidden and Manifest Film Encounters -- $t2. Ill Will Hunting (Penitentes) -- $t3. A Lie Halfway around the World -- $t4. Lives and Faces Plying through Exotica -- $t5. Red Sky at Morning, a Borderlands Interlude -- $t6. The King Tiger Awakens the Sleeping Giant of the Southwest -- $t7. Filming Bernalillo: Post-Civil Rights Chicano Film Subjects -- $t8. Toward a New Proxemics: Historical, Mythopoetic, and Autoethnographic Works -- $tConclusion -- $tNotes -- $tBibliography -- $tIndex -- $tAbout the Author 330 $aHidden Chicano Cinema examines how New Mexico, situated within the boundaries of the United States, became a stand-in for the exotic non-western world that tourists, artists, scientists, and others sought to possess at the dawn of early filmmaking, a disposition stretching from the silent era to today as filmmakers screen their fantasies of what they wished the Southwest Borderlands to be. The book highlights "film moments" in this region's history including the "filmic turn" ushered in by Chicano/a filmmakers who created new ways to represent their community and region. A. Gabriel Meléndez narrates the drama, intrigue, and politics of these moments and accounts for the specific cinematic practices and the sociocultural detail that explains how the camera itself brought filmmakers and their subjects to unexpected encounters on and off the screen. Such films as Adventures in Kit Carson Land, The Rattlesnake, and Red Sky at Morning, among others, provide examples of movies that have both educated and misinformed us about a place that remains a "distant locale" in the mind of most film audiences. 410 0$aLatinidad. 606 $aMexican Americans in motion pictures 607 $aMexican-American Border Region$xIn motion pictures 615 0$aMexican Americans in motion pictures. 676 $a791.43/65296872073 700 $aMele?ndez$b A. Gabriel$g(Anthony Gabriel)$01542046 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790644003321 996 $aHidden Chicano cinema$93866234 997 $aUNINA