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035   $a(DE-B1597)9781400849741
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100   $a20130709h20132013  uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aInventing falsehood, making truth $eVico and Neapolitan painting /$fMalcolm Bull
205   $aCourse Book
210  1$aPrinceton, New Jersey :$cPrinceton University Press,$d[2013]
210  4$dİ2013
215   $a1 online resource (161 p.)
225 0 $aEssays in the Arts
225  0$aEssays in the arts
300   $aDescription based upon print version of record.
311   $a0-691-13884-2 
311   $a1-306-04619-X 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgments -- $tPrologue -- $tOne. Vico -- $tTwo. Icastic Painting -- $tThree. Fantastic Painting -- $tFour. Theological Painting -- $tEpilogue -- $tNotes -- $tIndex
330   $a"Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--$cProvided by publisher.
410  0$aEssays in the Arts
606   $aPainting$xPhilosophy
606   $aArt and philosophy$zItaly$xHistory$y18th century
606   $aPainting, Italian$zItaly$zNaples$y18th century
606   $aPainting, Baroque$zItaly$zNaples
606   $aTruth
610   $aAesthetics.
610   $aAnalogy.
610   $aAndrea Vaccaro.
610   $aAndrea del Sarto.
610   $aAnecdote.
610   $aAnnibale Carracci.
610   $aAnthropomorphism.
610   $aAtheism.
610   $aAtomism.
610   $aAugury.
610   $aBad Painting.
610   $aBaroque painting.
610   $aCaravaggio.
610   $aCaravaggisti.
610   $aCarlo Maratta.
610   $aCartesianism.
610   $aCatherine of Siena.
610   $aCertainty.
610   $aCertosa di San Martino.
610   $aChiaroscuro.
610   $aCimabue.
610   $aClassical mythology.
610   $aClassicism.
610   $aConsciousness.
610   $aCubism.
610   $aDaniello Bartoli.
610   $aDemocritus.
610   $aDepiction.
610   $aDivine Truth.
610   $aDivine judgment.
610   $aDivine providence.
610   $aDomenichino.
610   $aDrapery.
610   $aEpicurus.
610   $aExorcism.
610   $aFall of Simon Magus (Pompeo Batoni).
610   $aFalsity.
610   $aFlagellation of Christ.
610   $aFrancesco Solimena.
610   $aGiambattista Vico.
610   $aGiotto.
610   $aGod the Father.
610   $aGuido Reni.
610   $aHenri Bergson.
610   $aIconoclasm.
610   $aIconography.
610   $aIllustration.
610   $aJules Michelet.
610   $aLas Meninas.
610   $aLibri Carolini.
610   $aLodovico Dolce.
610   $aLuca Giordano.
610   $aLucretius.
610   $aLudovico Carracci.
610   $aMannerism.
610   $aMetaphor.
610   $aMetonymy.
610   $aMichelangelo.
610   $aMuseo del Prado.
610   $aNeoplatonism.
610   $aPainting.
610   $aParagone.
610   $aParmigianino.
610   $aPenitential.
610   $aPentimento.
610   $aPetrarch.
610   $aPhilosopher.
610   $aPhilosophical skepticism.
610   $aPhilosophy.
610   $aPietro Aretino.
610   $aPietro da Cortona.
610   $aPoetry.
610   $aPutto.
610   $aReligion.
610   $aRhetoric.
610   $aRoman Baroque.
610   $aSacristy.
610   $aSaint Dominic.
610   $aSaint Francis Receiving the Stigmata (van Eyck).
610   $aSalvator Rosa.
610   $aSan Domenico Maggiore.
610   $aSan Gregorio Armeno.
610   $aScientific skepticism.
610   $aSimon Magus.
610   $aSkepticism.
610   $aSpanish art.
610   $aStill life.
610   $aTenebrism.
610   $aThe Carracci.
610   $aThe Expulsion of Heliodorus from the Temple.
610   $aThe Gay Science.
610   $aThe New Science.
610   $aThe Philosopher.
610   $aTheology.
610   $aThomas Aquinas.
610   $aTintoretto.
610   $aTitian.
610   $aTommaso Campanella.
610   $aTruth.
610   $aZeuxis.
615  0$aPainting$xPhilosophy.
615  0$aArt and philosophy$xHistory
615  0$aPainting, Italian
615  0$aPainting, Baroque
615  0$aTruth.
676   $a759.5/73
686   $aART015030$aART015090$aHIS020000$aPHI000000$2bisacsh
700   $aBull$b Malcolm$0480974
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906   $aBOOK
912   $a9910790629003321
996   $aInventing falsehood, making truth$93708026
997   $aUNINA