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181   $ctxt$2rdacontent
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200 14$aThe psychology of contemporary art /$fGregory Minissale$b[electronic resource]
210  1$aNew York :$cCambridge University Press,$d2013.
215   $a1 online resource (xxxv, 372 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 14 Jan 2016).
311   $a1-107-01932-X 
311   $a1-306-07224-7 
320   $aIncludes bibliographical references and index.
327   $aMachine generated contents note: 1. Introduction; 2. Brain; 3. Body; 4. World.
330   $aWhile recent studies in neuroscience and psychology have shed light on our sensory and perceptual experiences of art, they have yet to explain how contemporary art downplays perceptual responses and, instead, encourages conceptual thought. The Psychology of Contemporary Art brings together the most important developments in recent scientific research on visual perception and cognition and applies the results of empirical experiments to analyses of contemporary artworks not normally addressed by psychological studies. The author explains, in simple terms, how neuroaesthetics, embodiment, metaphor, conceptual blending, situated cognition and extended mind offer fresh perspectives on specific contemporary artworks - including those of Marina Abramovic?, Francis Aly?s, Martin Creed, Tracey Emin, Felix Gonzales-Torres, Marcus Harvey, Mona Hatoum, Thomas Hirschhorn, Gabriel Orozco, Marc Quinn and Cindy Sherman. This book will appeal to psychologists, cognitive scientists, artists and art historians, as well as those interested in a deeper understanding of contemporary art.
606   $aArt, Modern$y20th century$xPsychological aspects
606   $aArt, Modern$y21st century$xPsychological aspects
615  0$aArt, Modern$xPsychological aspects.
615  0$aArt, Modern$xPsychological aspects.
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700   $aMinissale$b Gregory$01494243
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996   $aThe psychology of contemporary art$93717667
997   $aUNINA