LEADER 01252nam a2200397 i 4500 001 991001288029707536 005 20020507190704.0 008 970110s1995 de ||| | eng 020 $a3540600086 035 $ab1082666x-39ule_inst 035 $aLE01309969$9ExL 040 $aDip.to Matematica$beng 082 0 $a515.83 084 $aAMS 26A 084 $aAMS 26A21 084 $aAMS 26A24 084 $aAMS 26A27 084 $aAMS 26A30 084 $aAMS 26A39 084 $aAMS 26A45 084 $aAMS 26A48 084 $aAMS 26A51 084 $aLC QA3.L28 100 1 $aEne, Vasile$060998 245 10$aReal functions :$bcurrent topics /$cVasile Ene 260 $aBerlin ; Heidelberg :$bSpringer-Verlag,$cc1995 300 $axi, 310 p. ;$c24 cm 490 0 $aLecture notes in mathematics,$x0075-8434 ;$v1603 500 $aIncludes bibliographical references and index 650 0$aFunctions of real variables 907 $a.b1082666x$b23-02-17$c28-06-02 912 $a991001288029707536 945 $aLE013 26A ENE11 (1995)$g1$i2013000072036$lle013$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10934637$z28-06-02 996 $aReal functions$978109 997 $aUNISALENTO 998 $ale013$b01-01-97$cm$da $e-$feng$gde $h0$i1 LEADER 03190nam 22006492 450 001 9910790613603321 005 20220621175151.0 010 $a1-139-89206-1 010 $a1-107-46067-0 010 $a1-107-45899-4 010 $a1-107-56233-3 010 $a1-107-46478-1 010 $a1-107-47187-7 010 $a1-107-46824-8 010 $a1-139-09431-9 010 $a1-107-47291-1 035 $a(CKB)2550000001138805 035 $a(EBL)1543544 035 $a(OCoLC)862614146 035 $a(SSID)ssj0000999550 035 $a(PQKBManifestationID)12346503 035 $a(PQKBTitleCode)TC0000999550 035 $a(PQKBWorkID)10933256 035 $a(PQKB)11468431 035 $a(UkCbUP)CR9781139094313 035 $a(MiAaPQ)EBC1543544 035 $a(Au-PeEL)EBL1543544 035 $a(CaPaEBR)ebr10774111 035 $a(CaONFJC)MIL538475 035 $a(EXLCZ)992550000001138805 100 $a20131007d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe psychology of contemporary art /$fGregory Minissale$b[electronic resource] 210 1$aNew York :$cCambridge University Press,$d2013. 215 $a1 online resource (xxxv, 372 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 14 Jan 2016). 311 $a1-107-01932-X 311 $a1-306-07224-7 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: 1. Introduction; 2. Brain; 3. Body; 4. World. 330 $aWhile recent studies in neuroscience and psychology have shed light on our sensory and perceptual experiences of art, they have yet to explain how contemporary art downplays perceptual responses and, instead, encourages conceptual thought. The Psychology of Contemporary Art brings together the most important developments in recent scientific research on visual perception and cognition and applies the results of empirical experiments to analyses of contemporary artworks not normally addressed by psychological studies. The author explains, in simple terms, how neuroaesthetics, embodiment, metaphor, conceptual blending, situated cognition and extended mind offer fresh perspectives on specific contemporary artworks - including those of Marina Abramovic?, Francis Aly?s, Martin Creed, Tracey Emin, Felix Gonzales-Torres, Marcus Harvey, Mona Hatoum, Thomas Hirschhorn, Gabriel Orozco, Marc Quinn and Cindy Sherman. This book will appeal to psychologists, cognitive scientists, artists and art historians, as well as those interested in a deeper understanding of contemporary art. 606 $aArt, Modern$y20th century$xPsychological aspects 606 $aArt, Modern$y21st century$xPsychological aspects 615 0$aArt, Modern$xPsychological aspects. 615 0$aArt, Modern$xPsychological aspects. 676 $a701/.1 700 $aMinissale$b Gregory$01494243 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910790613603321 996 $aThe psychology of contemporary art$93717667 997 $aUNINA