LEADER 03286nam 2200649 a 450 001 9910790595403321 005 20200520144314.0 010 $a1-283-86572-6 010 $a0-8135-5206-0 024 7 $a10.36019/9780813552064 035 $a(CKB)2670000000151311 035 $a(EBL)862093 035 $a(OCoLC)778339829 035 $a(SSID)ssj0000606785 035 $a(PQKBManifestationID)11405935 035 $a(PQKBTitleCode)TC0000606785 035 $a(PQKBWorkID)10582391 035 $a(PQKB)11081938 035 $a(MdBmJHUP)muse17483 035 $a(DE-B1597)529228 035 $a(DE-B1597)9780813552064 035 $a(Au-PeEL)EBL862093 035 $a(CaPaEBR)ebr10535569 035 $a(CaONFJC)MIL417822 035 $a(MiAaPQ)EBC862093 035 $a(EXLCZ)992670000000151311 100 $a20110215d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWashed in blood$b[electronic resource] $emale sacrifice, trauma, and the cinema /$fClaire Sisco King 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2012 215 $a1 online resource (235 p.) 300 $aDescription based upon print version of record. 311 $a0-8135-5159-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Reel presence, sacrifice, and the cinema -- Unhinged heroes and alpha traumas -- Free falls in the American nineties -- Remakes, resurrections, and sacrificial returns -- Epilogue: big screen memories. 330 $aWill Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that others may be saved. Washed in Blood argues that such sacrificial films are especially prominent in eras when the nation?and American manhood?is thought to be in crisis. The sacrificial victim-hero, continually imperiled and frequently exhibiting classic symptoms of post-traumatic stress disorder, thus bears the trauma of the nation. Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early?to?mid 1970's, the mid?to?late 1990's, and the mid?to?late 2000's. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America?s most valuable citizens?and its noblest victims. 606 $aHeroes in motion pictures 606 $aDeath in motion pictures 606 $aSacrifice in motion pictures 606 $aPsychic trauma in motion pictures 615 0$aHeroes in motion pictures. 615 0$aDeath in motion pictures. 615 0$aSacrifice in motion pictures. 615 0$aPsychic trauma in motion pictures. 676 $a791.43/652 700 $aKing$b Claire Sisco$01544755 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790595403321 996 $aWashed in blood$93799203 997 $aUNINA