LEADER 03492oam 2200601Ma 450 001 9910777394703321 005 20190503073343.0 010 $a0-262-26987-2 010 $a1-4237-3071-2 035 $a(CKB)1000000000002963 035 $a(SSID)ssj0000155053 035 $a(PQKBManifestationID)11158446 035 $a(PQKBTitleCode)TC0000155053 035 $a(PQKBWorkID)10098878 035 $a(PQKB)10782598 035 $a(MiAaPQ)EBC3338434 035 $a(OCoLC)228039737$z(OCoLC)62148103$z(OCoLC)648371066$z(OCoLC)697596466$z(OCoLC)880329047$z(OCoLC)888626585$z(OCoLC)923251582$z(OCoLC)961652318$z(OCoLC)962619144$z(OCoLC)988518298$z(OCoLC)991985406$z(OCoLC)1037442238$z(OCoLC)1037901168$z(OCoLC)1038624091$z(OCoLC)1045451290$z(OCoLC)1055367058$z(OCoLC)1081287092$z(OCoLC)1083554211 035 $a(OCoLC-P)228039737 035 $a(MaCbMITP)3000 035 $a(Au-PeEL)EBL3338434 035 $a(CaPaEBR)ebr2001031 035 $a(OCoLC)923251582 035 $a(EXLCZ)991000000000002963 100 $a20000518d2000 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFinancial policy and central banking in Japan /$fThomas F. Cargill, Michael M. Hutchison, Takatoshi Ito 210 $aCambridge, Mass. $cMIT Press$dİ2000 215 $aviii, 196 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-262-03285-6 320 $aIncludes bibliographical references (p. [183]-189) and index. 330 8 $aAnnotation Japan's financial institutions and policy underwent remarkable change in the past decade. The country began the 1990s with a heavily regulated financial system managed by an unchallenged Ministry of Finance and ended the decade with a Big Bang financial market reform, a complete restructuring of its regulatory financial institutions, and an independent central bank. These reforms have taken place amid recession and rising unemployment, collapsing asset prices, a looming banking crisis, and the lowest interest rates in the industrial world. This book analyzes how the bank-dominated financial system--a key element of the oft-heralded "Japanese economic model"--Broke down in the 1990s and spawned sweeping reforms. It documents the sources of the Japanese economic stagnation of the 1990s, the causes of the financial crisis, the slow and initially limited policy response to banking problems, and the reform program that followed. It also evaluates the new financial structure and reforms at the Bank of Japan in light of the challenges facing the Japanese economy. These challenges range from conducting monetary policy in a zero-interest rate environment characterized by a "liquidity trap" to managing consolidation in the Japanese banking sector against the backdrop of increasing international competition. 606 $aFinance$zJapan 606 $aBanks and banking, Central$zJapan 610 $aECONOMICS/Finance 610 $aECONOMICS/International Economics 610 $aECONOMICS/Macroeconomics 615 0$aFinance 615 0$aBanks and banking, Central 676 $a332.1/1/0952 700 $aCargill$b Thomas F$0115339 701 $aHutchison$b Michael M$0122526 701 $aItO?o$b Takatoshi$f1950-$01561948 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910777394703321 996 $aFinancial policy and central banking in Japan$93829104 997 $aUNINA LEADER 02693nam 2200505 450 001 9910790539003321 005 20230803021935.0 010 $a1-4804-1341-0 035 $a(CKB)2550000001127859 035 $a(EBL)1807777 035 $a(MiAaPQ)EBC1807777 035 $a(Au-PeEL)EBL1807777 035 $a(CaONFJC)MIL528493 035 $a(OCoLC)892245614 035 $a(EXLCZ)992550000001127859 100 $a20220517d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFacts and fancies $eessays written mostly for fun /$fPaul Taylor 210 1$aNew York, New York :$cDelphinium Books,$d[2013] 210 4$dİ2013 215 $a1 online resource (195 p.) 300 $aDescription based upon print version of record. 311 $a1-299-97242-X 327 $aCover; Title Page; Contents; Foreword; Introduction; Facts; Why I Make Dances; An Early Interview; Letters to Susie; The Redheaded Spiritualist; A Perplexing Situation; Boat Trip; Aureole; Martha Close Up; Clytemnestra; 911; Two Bozos Seen Through Glass: An Epiphany; The Strange Story of How I Chased...; Art; Fancies; Foreword to Private Domain; Reapplication to O.H.E.C.; How to Tell Ballet from Modern; In the Marceel Proust Suite of L''Hotel Continental; Fantasy About Joining the CIA; Death Wish; Tricks of the Trade; There is a Time; Limerick for Jennifer Tipton; The Last Thump 327 $aLove is a Dog from HellPoggie in the Quiet; The Shirley Temple Murders; Chapter One; Chapter Two; Michael, The Medium-sized Bee; My Dear Dogmatist; Acknowledgments; Copyright 330 $a"No other dancer ever looked like Paul Taylor, that strapping, elastic, goofy hunk of a guy, and no one else's dance works look like his either-not the deep, dark ones or the zany ones or the uplifting ones. His vocabulary, his tone are unique and unmistakable. The same thing is true, it turns out, about his writing. His style is utterly his own, and like all real style it isn't a calculated voice but a reflection of the way his quirky mind works." -From the foreword by Robert Gottlieb "Taylor has not cultivated one writing persona, but has unleashed a raft of voices in a raft of forms: tra 606 $aDancers 606 $aModern dance 606 $aEssays 615 0$aDancers. 615 0$aModern dance. 615 0$aEssays. 676 $a792.8028092 700 $aTaylor$b Paul$f1930-2018,$01497358 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790539003321 996 $aFacts and fancies$93722440 997 $aUNINA