LEADER 01496nam0-2200517---450- 001 990000046720203316 005 20000204 010 $a88-203-2554-3 035 $a0004672 035 $aUSA010004672 035 $a(ALEPH)000004672USA01 035 $a0004672 100 $a20000204d1998----|||y0itay0103----ba 101 0 $aita 105 $a||||m001yy 200 1 $a<> compressione dei dati$edalla teoria alla pratica$fPaolo Carlini 210 $aMilano$cUlrico Hoepli$dcopyr.1998 215 $a273 p.$c1 Cd-Rom$d24 cm 225 2 $aHoepli Informatica 410 0$a12001$aHoepli Informatica 610 $aCompressione dei dati 676 $a005.746 700 1$aCARLINI,$bPaolo$0295460 801 $aIT$bSALBC$gISBD 912 $a990000046720203316 951 $a005.746 CAR$b13395 Ing.$c005.746 CAR$dY 959 $aBK 979 $c20000914$lUSA01$h1721 979 $c20000919$lUSA01$h1047 979 $c20000919$lUSA01$h1520 979 $c20001019$lUSA01$h1054 979 $c20001019$lUSA01$h1452 979 $c20001019$lUSA01$h1459 979 $c20001019$lUSA01$h1537 979 $c20001024$lUSA01$h1513 979 $c20001027$lUSA01$h1517 979 $c20001027$lUSA01$h1522 979 $c20001110$lUSA01$h1709 979 $c20001124$lUSA01$h1206 979 $c20020403$lUSA01$h1612 979 $aPATRY$b90$c20040406$lUSA01$h1605 996 $aCompressione dei dati$91516700 997 $aUNISA DB $aUSA01 SYS ID$a4672 bas $atec LEADER 03241nam 2200541 450 001 9910790535303321 005 20230803021936.0 010 $a1-4438-5288-0 035 $a(CKB)2550000001128062 035 $a(StDuBDS)AH25702762 035 $a(SSID)ssj0001164433 035 $a(PQKBManifestationID)11639099 035 $a(PQKBTitleCode)TC0001164433 035 $a(PQKBWorkID)11181946 035 $a(PQKB)10790299 035 $a(MiAaPQ)EBC1477534 035 $a(Au-PeEL)EBL1477534 035 $a(CaPaEBR)ebr10778117 035 $a(CaONFJC)MIL528696 035 $a(OCoLC)859834127 035 $a(FINmELB)ELB148004 035 $a(EXLCZ)992550000001128062 100 $a20131108d2013 uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe mythology of dance /$fby Harry Eiss 205 $a1. 210 1$aNewcastle upon Tyne, UK :$cCambridge Scholars Publishing,$d2013. 215 $a1 online resource (430 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4438-5169-8 311 $a1-299-97445-7 320 $aIncludes bibliographical references and index. 330 8 $aThe lights dim and soon the theatre becomes dark. The audience conversations end with a few softly dissipating whispers, and the movie begins. Nina Sayers, a young ballerina, dances the prologue to Tchaikovskyas Swan Lake, a ballet expressing a story drawn from Russian folk tales about a princess who has been turned into a White Swan and can only be turned back if a man swears eternal fidelity to her. However, this is not that ballet. This is the beginning of Black Swan, a controversial movie employing symbolism in a complex interweaving of dance and film to reveal the struggles and paradoxes of everything from a female rite-of-passage to questions about where artistic expression should demand self-sacrifice and whether such sacrifice is worth the price. - - The dance floor is the stage of life, the place where physical actions take on the symbolic meanings of mythology and express the deepest archetypes of the human mind. This book explores how dance gives shape to those human needs and how it reflects, and even creates, the maps of meaning and value that structure our lives. Though it attempts to cover all the forms of dance, it focuses on four main categories: religious, artistic, social, and artistic. Since the American Musical and subsequent Musical Videos have both reflected and influenced our current world, they receive the most spacesuch acclaimed performers as Fred Astaire, Gene Kelly, Judy Garland, Ricky Nelson, Elvis Presley and Michael Jackson, such important composers and lyrists as Gershwin, Rodgers-and-Hammerstein, Porter, Berlin, Webber, Bernstein, the Beatles, and the Who, and such choreographers as Graham, Balanchine, Robbins and Fosse are examined in particular detail. - 606 $aDance$xMythology 615 0$aDance$xMythology. 676 $a434 700 $aEiss$b Harry Edwin$01504379 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790535303321 996 $aThe mythology of dance$93842723 997 $aUNINA LEADER 01789nam0 22003731i 450 001 UON00322257 005 20231205104145.286 010 $a88-317-9146- 100 $a20090324d2006 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aVetri artistici del primo Ottocento$eMuseo del vetro di Murano$fa cura di Aldo Bova, Attilia Dorigato, Puccio Migliaccio$gcon la collaborazione di Vladimiro Rusca - Venezia$eRegione del Veneto ; Marsilio, 2006 210 $a165 p.$cill. ; 30 cm 215 $aIn testa al front.: Comitato nazionale italiano Association internationale pour l'histoire du verre 316 $aDono della Regione del Veneto$5IT-UONSI ARTECAT197 410 1$1001UON00322253$12001 $aCorpus delle Collezioni del Vetro Post-classico nel Veneto$1210 $aVenezia$cMarsilio.$v1 606 $aMURANO VETRI ARTISTICI ESPOSIZIONI$3UONC071264$2FI 606 $aVETRI DI MURANO SEC.XIX ESPOSIZIONI$3UONC071263$2FI 620 $aIT$dVenezia$3UONL000039 676 $a748.2$cOggetti in vetro$v20 702 1$aBOVA$bAldo$3UONV183590 702 1$aDORIGATO$bAttilia$3UONV183591 702 1$aMIGLIACCIO$bPuccio$3UONV183593 702 1$aRUSCA$bVladimiro$3UONV183594 712 02$aMUSEO del VETRO$cMurano$3UONV183598 712 $aMarsilio$3UONV246600$4650 712 $aRegione del Veneto$3UONV269791$4650 801 $aIT$bSOL$c20251212$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO E ARCHIVIO STORICO$2UONSI 912 $aUON00322257 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO E ARCHIVIO STORICO$dSI CAT 197 $eSI FP 21034 7 Dono della Regione del Veneto 996 $aVetri artistici del primo Ottocento$986534 997 $aUNIOR