LEADER 03593oam 2200673I 450 001 9910790449603321 005 20200520144314.0 010 $a1-136-49488-X 010 $a1-283-45904-3 010 $a9786613459046 010 $a1-136-49489-8 010 $a0-203-14014-1 024 7 $a10.4324/9780203140147 035 $a(CKB)2670000000148663 035 $a(EBL)958405 035 $a(OCoLC)798531275 035 $a(SSID)ssj0000611425 035 $a(PQKBManifestationID)11445564 035 $a(PQKBTitleCode)TC0000611425 035 $a(PQKBWorkID)10646650 035 $a(PQKB)10228552 035 $a(Au-PeEL)EBL958405 035 $a(CaPaEBR)ebr10534983 035 $a(CaONFJC)MIL345904 035 $a(OCoLC)958103904 035 $a(OCoLC)731925294 035 $a(FINmELB)ELB140556 035 $a(MiAaPQ)EBC958405 035 $a(EXLCZ)992670000000148663 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBothered by alligators /$fMarion Milner ; introduction by Margaret Walters 210 1$aHove ;$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (280 p.) 300 $aDescription based upon print version of record. 311 $a0-415-68456-0 311 $a0-415-68455-2 327 $aFront Cover; Bothered by Alligators; Copyright Page; Contents; Illustrations; New Introduction by Margaret Walters; Introduction; Part One: The diary; 1.The diary; Part Two: The story book; 2.The story book; Part Three: Thinking about the story book; 3. My first thoughts about the story book; Part Four: Towards a change of aim; 4.Crosses, trees and no arms or feet; 5.Water, tears and a use of gravity; Part Five: Using my own pictures; 6.Always protecting your mother; 7.Two new free drawings; 8.Play of making collages from my old failedpaintings; Part Six: Different kinds of order 327 $a9. Words made flesh10.The incantation and "The Hidden Order of Art"; Part Seven: The family setting; 11.My father, his breakdown and recovery; 12.My mother and us three children; 13.Me being physically ill and the Undine story; Part Eight: D.W. Winnicott and me; 14.Being in analysis with D.W. Winnicott; 15.A Winnicott paper on disillusion aboutwhat one gives; 16.D.W.W.'s doodle drawings; Part Nine: Towards wholeness; 17.Towards bringing bits of one's self together; 18. The Easter story: the need for fiction; 19.An area for the play of opposites; Conclusion: Useable dreams 327 $aNotes on Appendix: Last pagesAppendix: Last pages 330 $aMilner's final text, Bothered by Alligators, came about when, in her nineties, she unexpectedly came across a diary she had kept during the early years of her son's life, recording his conversations and play between the ages of two and nine. With it was a storybook written and illustrated by him when he was about seven years old. Whilst working on the material, Milner gradually realised that both diary and storybook were provoking questions she realised had scarcely been asked, let alone answered in her own analysis. Through her memories, her notebooks and by interpre 606 $aChild psychology 606 $aPsychoanalysis 615 0$aChild psychology. 615 0$aPsychoanalysis. 676 $a150.92 676 $aB 700 $aMilner$b Marion Blackett.$01486506 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790449603321 996 $aBothered by alligators$93762141 997 $aUNINA