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100   $a20761105d1977      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aMehinaku $ethe drama of daily life in a Brazilian Indian village /$fThomas Gregor
210  1$aChicago :$cUniversity of Chicago Press,$d1977.
215   $a1 online resource (400 pages) $cillustrations, maps
300   $aPhoenix edition 1980.
311 0 $a0-226-30744-1 
311 0 $a1-299-85070-7 
320   $aIncludes bibliographical references (pages 363-370) and index.
327   $tFrontmatter --$tContents --$tFigures --$tTables --$tAcknowledgments --$t1. Introduction --$t2. The Setting for the Drama --$t3. The Staging of Social Relationships --$t4. The Script for Social Life --$tBibliography --$tIndex
330   $aThomas Gregor sees the Mehinaku Indians of central Brazil as performers of roles, engaged in an ongoing improvisational drama of community life. The layout of the village and the architecture of the houses make the community a natural theater in the round, rendering the villagers' actions highly visible and audible. Lacking privacy, the Mehinaku have become masters of stagecraft and impression management, enthusiastically publicizing their good citizenship while ingeniously covering up such embarrassments as extramarital affairs and theft.
606   $aMehinacu Indians$xSocial life and customs
610   $abrazil, indigenous, village, rural, community, south america, anthropology, sociology, nonfiction, mehinaku indians, social roles, performance, architecture, space, place, privacy, public life, reputation, citizenship, scandal, secrets, honor, family, upper xingu, tribe, information, concealment, secrecy, kinship, identity, ritual, spirits, folklore, theft, infidelity, sexuality, adultery, relationships, self, seclusion, disengagement, withdrawal.
615  0$aMehinacu Indians$xSocial life and customs.
676   $a301.45/19/8081
686   $aMS 9500$2rvk
700   $aGregor$b Thomas$0907032
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
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996   $aMehinaku$93680252
997   $aUNINA