LEADER 04150nam 2200781 a 450 001 9910790415403321 005 20230803021520.0 010 $a0-8135-6096-9 024 7 $a10.36019/9780813560960 035 $a(CKB)2550000001113588 035 $a(EBL)1562481 035 $a(OCoLC)863824569 035 $a(SSID)ssj0000984350 035 $a(PQKBManifestationID)11499097 035 $a(PQKBTitleCode)TC0000984350 035 $a(PQKBWorkID)11013852 035 $a(PQKB)10623275 035 $a(MiAaPQ)EBC1562481 035 $a(OCoLC)857769859 035 $a(MdBmJHUP)muse27693 035 $a(DE-B1597)529487 035 $a(DE-B1597)9780813560960 035 $a(Au-PeEL)EBL1562481 035 $a(CaPaEBR)ebr10753545 035 $a(CaONFJC)MIL513444 035 $a(EXLCZ)992550000001113588 100 $a20120906d2013 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aDomestic negotiations$b[electronic resource] $egender, nation, and self-fashioning in US Mexicana and Chicana literature and art /$fMarci R. McMahon 210 $aNew Brunswick, N.J. $cRutgers University Press$d2013 215 $a1 online resource (260 p.) 225 1 $aLatinidad : Transnational cultures in the United States 300 $aDescription based upon print version of record. 311 $a0-8135-6094-2 311 $a1-299-82193-6 320 $aIncludes bibliographical references and index. 327 $apt. 1. Domestic power -- pt. 2. Domesticana. 330 $aThis interdisciplinary study explores how US Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Through "negotiation"-a concept that accounts for artistic practices outside the duality of resistance/accommodation-and "self-fashioning," Marci R. McMahon demonstrates how the very sites of domesticity are used to engage the many political and recurring debates about race, gender, and immigration affecting Mexicanas and Chicanas from the early twentieth century to today. Domestic Negotiations covers a range of archival sources and cultural productions, including the self-fashioning of the "chili queens" of San Antonio, Texas, Jovita González's romance novel Caballero, the home economics career and cookbooks of Fabiola Cabeza de Baca, Sandra Cisneros's "purple house controversy" and her acclaimed text The House on Mango Street, Patssi Valdez's self-fashioning and performance of domestic space in Asco and as a solo artist, Diane Rodríguez's performance of domesticity in Hollywood television and direction of domestic roles in theater, and Alma López's digital prints of domestic labor in Los Angeles. With intimate close readings, McMahon shows how Mexicanas and Chicanas shape domestic space to construct identities outside of gendered, racialized, and xenophobic rhetoric. 410 0$aLatinidad. 606 $aAmerican literature$xMexican American authors$xHistory and criticism 606 $aAmerican literature$xWomen authors$xHistory and criticism 606 $aIdentity (Psychology) in literature 606 $aMexican Americans in literature 606 $aMexican American women in literature 606 $aMexican American arts 606 $aMexican American women artists 606 $aNationalism and literature$zUnited States$xHistory 615 0$aAmerican literature$xMexican American authors$xHistory and criticism. 615 0$aAmerican literature$xWomen authors$xHistory and criticism. 615 0$aIdentity (Psychology) in literature. 615 0$aMexican Americans in literature. 615 0$aMexican American women in literature. 615 0$aMexican American arts. 615 0$aMexican American women artists. 615 0$aNationalism and literature$xHistory. 676 $a810.9/86872 700 $aMcMahon$b Marci R.$f1975-$01468860 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790415403321 996 $aDomestic negotiations$93680224 997 $aUNINA