LEADER 04018nam 2200745 a 450 001 9910790412603321 005 20200520144314.0 010 $a0-7735-8910-4 010 $a0-7735-8909-0 024 7 $a10.1515/9780773589094 035 $a(CKB)2550000001114245 035 $a(EBL)3332620 035 $a(SSID)ssj0001107182 035 $a(PQKBManifestationID)11624743 035 $a(PQKBTitleCode)TC0001107182 035 $a(PQKBWorkID)11082020 035 $a(PQKB)11131968 035 $a(CEL)446159 035 $a(OCoLC)1037912370$z(OCoLC)851897279$z(OCoLC)899185079$z(OCoLC)923238596$z(OCoLC)961668318$z(OCoLC)962585154$z(OCoLC)966214977$z(OCoLC)973672243$z(OCoLC)988468328$z(OCoLC)992038488$z(OCoLC)1038370336$z(OCoLC)1039003738$z(OCoLC)1043861684$z(OCoLC)1053534636 035 $a(CaBNVSL)slc00233100 035 $a(OCoLC)851897279 035 $a(Au-PeEL)EBL3332620 035 $a(CaPaEBR)ebr10748466 035 $a(CaONFJC)MIL514100 035 $a(OCoLC)923238596 035 $a(VaAlCD)20.500.12592/1gpfcr 035 $a(MiAaPQ)EBC3332620 035 $a(DE-B1597)657702 035 $a(DE-B1597)9780773589094 035 $a(EXLCZ)992550000001114245 100 $a20130830d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShadow woman$b[electronic resource] $ethe extraordinary career of Pauline Benton /$fGrant Hayter-Menzies 210 $aMontreal $cMcGill-Queen's University Press$d2013 215 $a1 online resource (261 p.) 311 $a0-7735-4201-9 311 $a1-299-82849-3 320 $aIncludes bibliographical references and index. 327 $aCultural Geographies -- Shadow People -- Willow-Patterned Cathay -- The Red Gate Shadow Players -- Oriental Curiosities -- Shadows Pass -- World War -- Survival -- Cultural Revolution -- Shadow Woman -- Monkey King -- Epilogue -- Appendix: The White Snake. 330 $aKansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work. 606 $aWomen puppeteers$zUnited States$vBiography 606 $aWomen performance artists$zUnited States$vBiography 606 $aShadow shows$zUnited States$xHistory$y20th century 606 $aPuppet theater$zUnited States$xHistory$y20th century 606 $aShadow puppets$zUnited States$xHistory$y20th century 606 $aPerformance art$zUnited States$xHistory$y20th century 615 0$aWomen puppeteers 615 0$aWomen performance artists 615 0$aShadow shows$xHistory 615 0$aPuppet theater$xHistory 615 0$aShadow puppets$xHistory 615 0$aPerformance art$xHistory 676 $a791.5/3092 700 $aHayter-Menzies$b Grant$f1964-$0714134 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790412603321 996 $aShadow woman$93680196 997 $aUNINA