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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aRhetoric and rhythm in Byzantium $ethe sound of persuasion /$fVessela Valiavitcharska$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2013.
215   $a1 online resource (viii, 243 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a1-107-03736-0 
311   $a1-299-84185-6 
320   $aIncludes bibliographical references and index.
327   $tIntroduction: why rhythm? --$g1.$tRhythm and meter in Byzantine eyes: Hellenistic traditions and Byzantine theory ;$tPulse and flow ;$tThe rhythmical unit of prose ;$tTempo and melody --$g2.$tBetween prose and poetry: Asianic rhythms, accentual poetry, and the Byzantine festal homily ;$tAsianic oratory and clausular cadence ;$tFigures, rhyme, and rhythm ;$tHomilies and accentual poetry --$g3.$tDirhythmia in the Byzantine classroom ;$tLearning to read and follow the rhythm ;$tAdvanced grammar: Eustathius of Thessalonica on Homer ;$tAdvanced rhetoric: John Siculus on Hermogenes --$g4.$tArgument, figure, and rhythm ;$tEnthymeme ;$tPeriod ;$tPneuma --$g5.$tRhythm in translation: some evidence from Old Slavic homilies ;$tRhythm in Old Slavic texts ;$tText comparison and statistics ;$tOld Slavic rhythm reconsidered --$tConclusion: why recover rhythm? --$gAppendix A.$tText comparison: corpus and methodology ; Old Slavic texts: syllables ;$tGreek texts: accent and stress ;$tOld Slavic texts: accent and stress ;$tControl texts ;$tConclusions --$gAppendix B.$tTables and flow charts --$tBibliography --$tIndex.
330   $aRhetoric and Rhythm in Byzantium takes a fresh look at rhetorical rhythm and its theory and practice, highlighting the close affinity between rhythm and argument. Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines and expands our understanding of both Byzantine and Old Church Slavonic prose rhythm. It positions rhetorical rhythm at the intersection of prose and poetry and explores its role in argumentation and persuasion, suggesting that rhetorical rhythm can carry across linguistic boundaries, and in general aims to demonstrate the stylistic and argumentative importance of rhythm in rhetorical practice. Along the way, it challenges the entrenched separation between content and style and emphasizes the role of rhythm as a tool of invention and a means of creating shared emotional experience.
517 3 $aRhetoric & Rhythm in Byzantium
606   $aByzantine literature$xHistory and criticism
606   $aRhetoric, Medieval$zByzantine Empire$xHistory and criticism
606   $aChurch Slavic language
606   $aRhythm in literature
615  0$aByzantine literature$xHistory and criticism.
615  0$aRhetoric, Medieval$xHistory and criticism.
615  0$aChurch Slavic language.
615  0$aRhythm in literature.
676   $a880.9/002
686   $aLIT004130$2bisacsh
700   $aValiavitcharska$b Vessela$f1971-$01475315
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801  1$bUkCbUP
906   $aBOOK
912   $a9910790404703321
996   $aRhetoric and rhythm in Byzantium$93689487
997   $aUNINA