LEADER 02968nam 2200589Ia 450 001 9910790374603321 005 20230801223301.0 010 $a1-280-69652-4 010 $a9786613673480 010 $a0-253-00220-6 035 $a(CKB)2670000000205622 035 $a(EBL)816843 035 $a(OCoLC)796384112 035 $a(MiAaPQ)EBC816843 035 $a(MdBmJHUP)muse18210 035 $a(Au-PeEL)EBL816843 035 $a(CaPaEBR)ebr10569645 035 $a(CaONFJC)MIL367348 035 $a(EXLCZ)992670000000205622 100 $a20120110d2012 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe culture of colonialism$b[electronic resource] $ethe cultural subjection of Ukaguru /$fT. O. Beidelman 210 $aBloomington, Ind. $cIndiana University Press$d2012 215 $a1 online resource (414 p.) 225 1 $aAfrican systems of thought 300 $aDescription based upon print version of record. 311 $a0-253-00208-7 311 $a0-253-00215-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction: colonialism and anthropology -- Part 1: History -- Kaguru and colonial history: the rise and fall of indirect rule -- Part 2: Colonial life -- Ukaguru 1957-58 -- The Kaguru native authority -- Court cases: order and disorder -- Subversions and diversions: 1957-58 -- The world beyond: Kaguru marginality in a plural world, 1957-61 -- Part 3: How it ended and where it went -- Epilogue: independence and after -- Conclusion. 330 $aWhat did it mean to be an African subject living in remote areas of Tanganyika at the end of the colonial era? For the Kaguru of Tanganyika, it meant daily confrontation with the black and white governmental officials tasked with bringing this rural people into the mainstream of colonial African life. T. O. Beidelman's detailed narrative links this administrative world to the Kaguru's wider social, cultural, and geographical milieu, and to the political history, ideas of indirect rule, and the white institutions that loomed just beyond their world. Beidelman unveils the colonial system's pr 410 0$aAfrican systems of thought. 606 $aKaguru (African people)$xEthnic identity 606 $aKaguru (African people)$xPolitics and government 607 $aGreat Britain$xColonies$zAfrica$xAdministration 607 $aGreat Britain$xColonies$zAfrica$xCultural policy 607 $aTanzania$xHistory$yTo 1964 615 0$aKaguru (African people)$xEthnic identity. 615 0$aKaguru (African people)$xPolitics and government. 676 $a306.08996391 700 $aBeidelman$b T. O$g(Thomas O.),$f1931-$01154341 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790374603321 996 $aThe culture of colonialism$93777588 997 $aUNINA LEADER 02894nam 22005895 450 001 9910523881403321 005 20251202162025.0 010 $a9783030848484 010 $a3030848485 024 7 $a10.1007/978-3-030-84848-4 035 $a(CKB)5100000000152654 035 $a(MiAaPQ)EBC6871233 035 $a(Au-PeEL)EBL6871233 035 $a(DE-He213)978-3-030-84848-4 035 $a(EXLCZ)995100000000152654 100 $a20211127d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aReviewing Culture Online $ePost-Institutional Cultural Critique across Platforms /$fby Maarit Jaakkola 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (249 pages) 311 08$a9783030848477 311 08$a3030848477 320 $aIncludes bibliographical references and index. 327 $a1. Cultural Consumers Becoming Reviewers -- 2. Cultural Online Engagement -- 3. Reviewing as Post-Institutional Cultural Production -- 4. Reviewing in Genre and Practice Hierarchies -- 5. Post-Professional Reviewers -- 6. Vernacular Reviewers? Communities: Case Studies -- 7. Characteristics of Vernacular Reviewing.-8.Conclusions: Towards a Pedagogical Agenda. 330 $aThis book examines how ordinary users review cultural products online, ranging from books to films and other art objects to consumer products. The book maps different communities?in institutional and non-institutional settings?which intersect with the genre of review, especially in the social web where reviewing is conducted on platforms such as Instagram, YouTube and Vimeo. The book, drawing on the key concepts of cultural intermediation, platformized cultural production and post-professionalism, looks at user-generated content in lifestyle communities beyond the binary of professional and amateur production. Maarit Jaakkola is co-director of Nordicom, a centre for Nordic media research at the University of Gothenburg, Sweden. She is also Associate Professor at the Department of Journalism, Media and Communication (JMG) at the University of Journalism. 606 $aJournalism 606 $aInternet$xSocial aspects 606 $aArts 606 $aDigital Journalism 606 $aInternet Studies 606 $aArts 615 0$aJournalism. 615 0$aInternet$xSocial aspects. 615 0$aArts. 615 14$aDigital Journalism. 615 24$aInternet Studies. 615 24$aArts. 676 $a070.43 676 $a302.231 700 $aJaakkola$b Maarit$01076702 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910523881403321 996 $aReviewing Culture Online$92587877 997 $aUNINA