LEADER 05681nam 22007213u 450 001 9910790371803321 005 20230711074145.0 010 $a1-280-68176-4 010 $a9786613658708 010 $a0-203-12147-3 010 $a1-136-32759-2 035 $a(CKB)2670000000205323 035 $a(EBL)981718 035 $a(OCoLC)804665800 035 $a(SSID)ssj0000654393 035 $a(PQKBManifestationID)11457393 035 $a(PQKBTitleCode)TC0000654393 035 $a(PQKBWorkID)10660324 035 $a(PQKB)11612718 035 $a(MiAaPQ)EBC981718 035 $a(FINmELB)ELB143449 035 $a(EXLCZ)992670000000205323 100 $a20130418d2012|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArchitectural Colour in the Professional Palette$b[electronic resource] 205 $a1st ed. 210 $aHoboken $cTaylor and Francis$d2012 215 $a1 online resource (249 p.) 300 $aDescription based upon print version of record. 311 08$aPrint version: McLachlan, Fiona. Architectural Colour in the Professional Palette. Hoboken : Taylor and Francis, 2012. (OCoLC)755080588 0-415-59708-0 320 $aIncludes bibliographical references and index. 327 $aCover -- Title -- Copyright Page -- Contents -- Preface -- ONE: Introduction: investigations in the professional palette -- Colour under threat -- Meaning in colour -- The power of colour -- Investigations in the professional palette -- TWO: Colour, form and material surface -- Purple shadows -- The perception of form -- Surface -- Material surface: a short history of pigments -- Contemporary pigments -- Pigments and health -- Pigmented materials and the future -- Colour, form and material surface -- THREE: The unattainable myth of novelty: Caruso St John -- Colour and cultural tradition -- Victoriana at Bethnal Green -- Fashion and anti-fashion Dressing and wrapping -- FOUR: An intuitive palette: O'Donnell + Tuomey -- Colour in the ethos of the office -- Colour, form and surface -- Meaning and association -- Seriality in the palette -- FIVE: Who's afraid of red, yellow and blue? Erich Wiesner and Otto Steidle -- Artist/architects -- Heroic Modernism -- 'Colour Field' and the emancipation of colour in the 1950s and 1960s -- Authority, originality and the creative impulse -- Wiesner and Steidle: artist/architect collaboration -- Rhythm and blues -- Experimental echoes -- SIX: Place, space, colour and light: Steven Holl -- Colour and light -- Temporality Location and translocation -- Precision or doubt? -- Space, place and time -- SEVEN: Surface and edge: Gigon/Guyer -- Genius loci -- Variety as identity -- High gloss: surface reflectance -- The power of the edge -- EIGHT: Memories, associations and the brightness of yellow: AHMM -- Colour in the urban realm -- 'Signing' rather than signage -- Parrots among the pigeons -- Developing the professional palette -- The brightness of yellow -- NINE: Synergies and discords: Sauerbruch Hutton -- Between the physical and the visual -- 2D to 3D -- Well-being -- Subverting the form -- Irregularity in the facade -- Harmony and dissonance Equilibrium -- TEN: Transformational, instrumental colour: UN Studio -- Amorphous space -- The instrumentality of colour -- Experimentation -- Illusion -- Transformational colour -- ELEVEN: Navigation, communication and language -- Navigation systems -- The art of communication -- Digital colour space -- TWELVE: Playing space: laws, rules and prescription -- The wrong blue: subjective experience and objective recognition -- Laws, rules and prescription: didactic approaches -- Colour choice and composition -- Between pragmatism and the sublime -- Conclusion -- Acknowledgements -- Notes -- Bibliography -- Image credits -- Index. 330 $aHow do architects use color? Do they adopt a different strategy or starting point for every project? Do they gradually cultivate individual color palettes, which develop alongside their body of built work? Do they utilize, or are they aware of, the body of theoretical work that underpins the use of color in the past, and forms the basis of most of the color systems commercially available today? Informed by the author's thirty years in architectural practice and academia, this book investigates, documents and analyzes the work of a number of contemporary architects in order to respond 606 $aArchitecture, Modern -- 20th century -- Themes, motives 606 $aArchitecture, Modern -- 21st century -- Themes, motives 606 $aColor in architecture 606 $aColor in architecture$xThemes, motives$y20th century 606 $aArchitecture, Modern$xThemes, motives$y21st century 606 $aArchitecture, Modern 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aArchitecture$2HILCC 615 4$aArchitecture, Modern -- 20th century -- Themes, motives. 615 4$aArchitecture, Modern -- 21st century -- Themes, motives. 615 4$aColor in architecture. 615 0$aColor in architecture$xThemes, motives 615 0$aArchitecture, Modern$xThemes, motives 615 0$aArchitecture, Modern 615 7$aArt, Architecture & Applied Arts 615 7$aArchitecture 676 $a720.1 676 $a729 700 $aMcLachlan$b Fiona$01097091 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910790371803321 996 $aArchitectural Colour in the Professional Palette$93777560 997 $aUNINA