LEADER 00732nam0-22002771i-450- 001 990004473870403321 005 19990530 035 $a000447387 035 $aFED01000447387 035 $a(Aleph)000447387FED01 035 $a000447387 100 $a19990530d1919----km-y0itay50------ba 101 0 $aita 105 $aa-------00--- 200 1 $aGambetta$fPaul Deschanel 210 $aParis$cLibrairie Hachette$d1919 215 $a302 p.$cill.$d19 cm 225 1 $aFigures du Passe' 700 1$aDeschanel,$bPaul$f<1856-1922>$0178610 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004473870403321 952 $a4/ VI I 27$bbibl.8980$fFLFBC 959 $aFLFBC 996 $aGambetta$9311129 997 $aUNINA LEADER 03183oam 2200661 450 001 9910790354303321 005 20170523091620.0 010 $a988-220-912-2 010 $a1-283-57806-9 010 $a9786613890511 010 $a988-220-875-4 035 $a(OCoLC)794939934 035 $a(MiFhGG)GVRLA07I 035 $a(EXLCZ)992670000000206649 100 $a20121023d2012 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aStructure, audience and soft power in East Asian pop culture /$fChua Beng Huat 205 $a1st edition. 210 $aHong Kong $cHong Kong University Press ;$aLondon $cEurospan [distributor]$d2012 210 1$aHong Kong :$cHong Kong University Press,$d2012. 215 $a1 online resource (183 pages) 225 1 $aTransAsia: screen cultures 300 $aDescription based upon print version of record. 311 $a988-8139-03-7 320 $aIncludes bibliographical references (p. [165]-176) and index. 327 $aPreface -- Introduction -- 1. East Asian pop culture : mapping the contours -- 2. Pop culture China -- 3. Taiwan's present/Singapore's past mediated by the Hokkien language -- 4. Placing Singapore in East Asian pop culture -- 5. The structure of identification and distancing in watching East Asian television drama -- 6. Layers of audience communities -- 7. Pop culture as soft power -- Conclusion -- Notes -- References -- Index. 330 3 $aEast Asian pop culture can be seen as an integrated cultural economy emerging from the rise of Japanese and Korean pop culture as an influential force in the distribution and reception networks of Chinese language pop culture embedded in the ethnic Chinese diaspora. Taking Singapore as a locus of pan-Asian Chineseness, Chua Beng Huat provides detailed analysis of the fragmented reception process of transcultural audiences and the processes of audiences' formation and exercise of consumer power and engagement with national politics. 410 0$aTransAsia: screen cultures. 606 $aPopular culture$zEast Asia 606 $aPopular culture$zSingapore 606 $aCulture diffusion$zEast Asia 606 $aMass media and culture$zEast Asia 606 $aMass media$xPolitical aspects$zEast Asia 606 $aPolitics and culture$zEast Asia 606 $aConsumption (Economics)$zEast Asia 606 $aChinese$zForeign countries$xSocial life and customs$y21st century 606 $aChinese$zForeign countries$xIntellectual life$y21st century 615 0$aPopular culture 615 0$aPopular culture 615 0$aCulture diffusion 615 0$aMass media and culture 615 0$aMass media$xPolitical aspects 615 0$aPolitics and culture 615 0$aConsumption (Economics) 615 0$aChinese$xSocial life and customs 615 0$aChinese$xIntellectual life 676 $a306.095 700 $aChua$b Beng Huat$0896138 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a9910790354303321 996 $aStructure, audience and soft power in East Asian pop culture$93712180 997 $aUNINA