LEADER 03660nam 2200637Ia 450 001 9910790352703321 005 20230801223309.0 010 $a1-280-69872-1 010 $a9786613675682 010 $a1-61168-298-3 035 $a(CKB)2670000000206317 035 $a(EBL)1085060 035 $a(OCoLC)795708843 035 $a(SSID)ssj0000655786 035 $a(PQKBManifestationID)11458982 035 $a(PQKBTitleCode)TC0000655786 035 $a(PQKBWorkID)10595763 035 $a(PQKB)10862878 035 $a(OCoLC)830023893 035 $a(MdBmJHUP)muse17324 035 $a(Au-PeEL)EBL1085060 035 $a(CaPaEBR)ebr10569250 035 $a(CaONFJC)MIL367568 035 $a(MiAaPQ)EBC1085060 035 $a(EXLCZ)992670000000206317 100 $a20120404d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEurojazzland$b[electronic resource] $ejazz and European sources, dynamics, and contexts /$fedited by Luca Cerchiari, Laurent Cugny, and Franz Kerschbaumer 210 $aBoston $cNortheastern University Press$dc2012 215 $a1 online resource (503 p.) 300 $aDescription based upon print version of record. 311 $a1-58465-864-9 320 $aIncludes bibliographical references and index. 327 $aTitle Page; Contents; Introduction; Part I | Europe as a Source of Jazz; 1 | The Influence of Celtic Music on the Evolution of Jazz; 2 | Beyond the ''Spanish Tinge'': Hispanics and Latinos in Early New Orleans Jazz; 3 | Why Did Art Music Composers Pay Attention to ''Jazz''?: The Impact of ''Jazz'' on the French Musical Field, 1908-1924; 4 | Violin and Bowed Strings in Jazz: A French School?; 5 | Sacred, Country, and Urban Tunes: The European Songbook; ''Greensleeves'' to ''Les feuilles mortes'' (''Autumn Leaves''), ''Gigolo'' to '''O sole mio'' 327 $a6 | Across Europe: Improvisation as a Real and Metaphorical Journey Part II | Jazz Meets Europe; 7 | Cross-Cultural Links: Black Minstrels, Cakewalks, and Ragtime; 8 | Benny Carter in Britain, 1936-1937; 9 | ''A New Reason for Living'': Duke Ellington in France; 10 | Cool Jazz in Europe; 11 | Orchestral Thoughts: Jazz Composition in Europe and America(An Interview with Composer-Director Giorgio Gaslini); 12 | The New Orleans Revival in Britain and France; 13 | The European Jazz Avant-Garde of the Late 1960's and Early 1970's: Where Did Emancipation Lead? 327 $aPart III | The Circulation of Eurojazzland14 | Did Europe ''Discover'' Jazz?; 15 | European Jazz Developments in Cross-Cultural Dialogue with the United States and Their Relationship to the Counterculture of the 1960's; 16 | Europe and the New Jazz Studies; 17 | Revisioning History Lived: Four European Expats, Three Men and One Woman, Who Shaped One American Life in Two American Cultures; 18 | Utopian Sounds: Mimesis and Identity in European Jazz Technologies; 19 | Roots and Collage: Contemporary European Jazz in Postmodern Times; Contributors; Index 330 $aThe critical role of Europe in the music, personalities, and analysis of jazz 606 $aJazz$zEurope$xHistory and criticism 606 $aMusic$zEurope$xHistory and criticism 615 0$aJazz$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a781.65094 701 $aCerchiari$b Luca$0532477 701 $aCugny$b Laurent$01490669 701 $aKerschbaumer$b Franz$01490670 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790352703321 996 $aEurojazzland$93712166 997 $aUNINA