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100   $a20080314d2007      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHans Memling$b[electronic resource] /$f[Alfred Michiels ; translation, Sarah Whorton and Andrew Byrd]
210   $aNew York $cParkstone Press$dc2007
215   $a1 online resource (256 p.)
225  0$aTemporis collection
300   $aIncludes index.
311   $a1-84484-553-2 
320   $aIncludes bibliographical references and index.
327   $aContents; Foreword; I. Memling's Origins and Beginnings; II. Memling between History andLegend; Popular Traditions; First-hand Information; III. Memling's Old Age and Genius; IV. Memling's Major Works; Works Conserved in Belgium; Works kept outside of Belgium; Memling the Miniaturist; V. Master Memling, betweenInfluences and Authentications; The Students of Memling; The Authentic Works of Memling; Works attributed to Memling; False Attributions; The Lost Paintings; Notes; Index
330   $aBorn in Selingenstadt, Memling (1430/40-1494) left his native Germany to settle in Bruges in 1465, where the death of his supposed teacher, Rogier van der Weyden, left a near absence of competition. Unlike one of his predecessors, Van Eyck, Memling, considered a minor artist for a long time, was not a painter of the court, but of the bourgeoisie. A man recognized and respected by the end of his life for his enormous talent, he amassed one of greatest fortunes in the city.Forgotten during the 17th and the 18th centuries, Memling is nowadays regarded as one of the greatest painters of the United
410  0$aTemporis
606   $aPainting, Belgian$y15th century$xHistory and criticism
615  0$aPainting, Belgian$xHistory and criticism.
676   $a759.94931
700   $aMichiels$b Alfred$f1813-1892.$01090533
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910790340403321
996   $aHans Memling$93695488
997   $aUNINA