LEADER 03930nam 2200733Ia 450 001 9910790292503321 005 20230124190421.0 010 $a1-280-57123-3 010 $a9786613600837 010 $a0-300-16310-X 024 7 $a10.12987/9780300163100 035 $a(CKB)2670000000184382 035 $a(StDuBDS)AH23093120 035 $a(SSID)ssj0000645411 035 $a(PQKBManifestationID)11388898 035 $a(PQKBTitleCode)TC0000645411 035 $a(PQKBWorkID)10681897 035 $a(PQKB)10630246 035 $a(MiAaPQ)EBC3420839 035 $a(DE-B1597)486381 035 $a(OCoLC)1024014852 035 $a(OCoLC)1029824829 035 $a(OCoLC)1032677771 035 $a(OCoLC)994610992 035 $a(DE-B1597)9780300163100 035 $a(Au-PeEL)EBL3420839 035 $a(CaPaEBR)ebr10551237 035 $a(CaONFJC)MIL360083 035 $a(OCoLC)923598110 035 $a(EXLCZ)992670000000184382 100 $a20100224d2010 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDarwin's pictures$b[electronic resource] $eviews of evolutionary theory, 1837-1874 /$fJulia Voss ; translated by Lori Lantz 210 $aNew Haven $cYale University Press$dc2010 215 $a1 online resource (368 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-14174-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1. The Galápagos Finches: John Gould, Darwin's Invisible Craftsman, And The Visual Discipline Of Ornithology -- $t2. Darwin's Diagrams: Images Of The Discovery Of Disorder -- $t3. The Picture Series: On The Evolution Of Imperfection -- $t4. The Laughing Monkey: The Human Animal -- $tConclusion -- $tNotes -- $tBibliography -- $tIndex 330 $aIn this first-ever examination of Charles Darwin's sketches, drawings, and illustrations, Julia Voss presents the history of evolutionary theory told in pictures. Darwin had a life-long interest in pictorial representations of nature, sketching out his evolutionary theory and related ideas for over forty years. Voss details the pictorial history of Darwin's theory of evolution, starting with his notebook sketches of 1837 and ending with the illustrations in The Expression of Emotions in Man and Animals (1872). These images were profoundly significant for Darwin's long-term argument for evolutionary theory; each characterizes a different aspect of his relationship with the visual information and constitutes what can be called an "icon" of evolution. Voss shows how Darwin "thought with his eyes" and how his pictorial representations and the development and popularization of the theory of evolution were vitally interconnected. Voss explores four of Darwin's images in depth, and weaves about them a story on the development and presentation of Darwin's theory, in which she also addresses the history of Victorian illustration, the role of images in science, the technologies of production, and the relationship between specimen, words, and images. 606 $aEvolution (Biology) 606 $aEvolution (Biology)$xPhilosophy$xHistory$y19th century 606 $aZoological illustration$xHistory$y19th century 606 $aArt and science 606 $aVisual communication in science 615 0$aEvolution (Biology) 615 0$aEvolution (Biology)$xPhilosophy$xHistory 615 0$aZoological illustration$xHistory 615 0$aArt and science. 615 0$aVisual communication in science. 676 $a576.8 700 $aVoss$b Julia$f1974-$01514631 701 $aLantz$b Lori$01514632 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790292503321 996 $aDarwin's pictures$93749927 997 $aUNINA