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010   $a9786613586483
010   $a1-61168-251-7
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100   $a20120124d2012      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aFramed spaces$b[electronic resource] $ephotography and memory in contemporary installation art /$fMonica E. McTighe
205   $a1st [ed.].
210   $aHanover $cDartmouth College Press$d2012
215   $a1 online resource (265 p.)
225 1 $aInterfaces: studies in visual culture
300   $aDescription based upon print version of record.
311   $a1-61168-205-3 
320   $aIncludes bibliographical references and index.
327   $aExpanding the frame. Installation art in the 1970's -- The politics of representation. Archive and memory in the work of Renee Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video installations in the 2000's -- Conclusion. Installation art and memory.
330   $aA study of the relationship between photography and installation art
410  0$aInterfaces, studies in visual culture.
606   $aArt and photography
606   $aInstallations (Art)$xThemes, motives
615  0$aArt and photography.
615  0$aInstallations (Art)$xThemes, motives.
676   $a709.04/074
700   $aMcTighe$b Monica E$01519743
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910790273403321
996   $aFramed spaces$93758022
997   $aUNINA