LEADER 01965nam 2200517Ia 450 001 9910701056703321 005 20111028160322.0 035 $a(CKB)5470000002414470 035 $a(OCoLC)758997850 035 $a(EXLCZ)995470000002414470 100 $a20111028d2011 ua 0 101 0 $aeng 135 $aurmn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerformance characterization of Loctite® 242 and 271 liquid locking compounds (LLCs) as a secondary locking feature for International Space Station (ISS) fasteners$b[electronic resource] /$fMichael J. Dube, Wayne R. Gamwell 210 1$aHampton, Va. :$cNational Aeronautics and Space Administration, Langley Research Center,$d[2011] 215 $a1 online resource (205 pages) $cillustrations (some color) 225 1 $aNASA/TM ;$v2011-217068 300 $aTitle from title screen (viewed on Oct. 28, 2011). 300 $a"March 2011." 300 $a"NESC-RP-04-092." 320 $aIncludes bibliographical references. 517 $aPerformance characterization of Loctite 242 and 271 liquid locking compounds 606 $aInternational Space Station$2nasat 606 $aFasteners$2nasat 606 $aReliability$2nasat 606 $aPrestressing$2nasat 606 $aLocking$2nasat 606 $aFailure$2nasat 615 7$aInternational Space Station. 615 7$aFasteners. 615 7$aReliability. 615 7$aPrestressing. 615 7$aLocking. 615 7$aFailure. 700 $aDube$b Michael J$01410443 701 $aGamwell$b Wayne R$01415275 712 02$aLangley Research Center. 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910701056703321 996 $aPerformance characterization of Loctite® 242 and 271 liquid locking compounds (LLCs) as a secondary locking feature for International Space Station (ISS) fasteners$93516833 997 $aUNINA LEADER 03212nam 2200565 a 450 001 9910790234003321 005 20200520144314.0 010 $a1-280-67983-2 010 $a9786613656766 010 $a0-7618-5842-3 035 $a(CKB)2670000000203799 035 $a(EBL)928521 035 $a(OCoLC)796999533 035 $a(SSID)ssj0000681165 035 $a(PQKBManifestationID)12236050 035 $a(PQKBTitleCode)TC0000681165 035 $a(PQKBWorkID)10654786 035 $a(PQKB)10597388 035 $a(MiAaPQ)EBC928521 035 $a(Au-PeEL)EBL928521 035 $a(CaPaEBR)ebr10568791 035 $a(CaONFJC)MIL365676 035 $a(OCoLC)802048961 035 $a(EXLCZ)992670000000203799 100 $a20120221d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinemulacrum$b[electronic resource] $ea secret history of film-video, 1960-2010 /$fAaron Sultanik 210 $aLanham, Md. $cUniversity Press of America, Inc.$dc2012 215 $a1 online resource (139 p.) 300 $aIncludes index. 311 $a0-7618-5841-5 327 $aCINEMULACRUM; Contents; Preface. Cinemulacrum: A Definition; A. Digital Film/Video: Reality Paradigm; B. Media Hegemony: Video, Fantasy, and the Young Adult; C. Cinemulacrum is not a Dystopia; Chapter 1. The Fall-and Rise-of Classical Hollywood: Ben-Hur (1959)-The Godfather (1972); Chapter 2. Neoclassicism and Postmodernism in the American Cinema of the Seventies; A. Violence, Populism, and the New Apocrypha: Dirty Harry (1971)-Rocky (1976); B. Bicentennial Blues: Taxi Driver (1974)-The Deer Hunter (1977); C. Looking Backward, Forwardly: Star Wars (1977)-Heaven's Gate (1982) 327 $aChapter 3. The Age of CinemulacrumA. The Making of Simulacra: The Empire Strikes Back (1980)-Revenge of the Sith (2005); B. The Hollywood Epic in the Age of Cinemulacrum: Platoon (1985)-The Return of the King (2003); C. The Comic Outsider, Underground Humor on TV, and the Rise of Black Culture: Saturday Night Live (1974)-Chappelle's Show (2003); D. Hollywood Redux: Risky Business (1985)-Million Dollar Baby (2004); E. Auteurs, Art Films, and the American Avant-Garde: Raging Bull (1980)-Psycho (1998); Afterword; Jean-Luc Godard and the Death of Cinema: Notre Musique (2005)-Avatar (2009) 327 $aAddenda3 Axioms; The Copy, not the Original: The Archetype of Media Culture; Apocrypha of Violence; A Cinemulacrum Timeline; The 7 Ages of Cinemulacrum, or a Secret History of Film/Video; Index; About the Author 330 $aCinemulacrum, a conflation of "cinema," the art of the Hollywood film, and simulacrum, a reality counterfeit, was coined to designate contemporary media culture. This book examines the fall-and rise-of classical Hollywood and the hegemony of television in a media dyad of movies and television. 606 $aMotion pictures$xHistory 615 0$aMotion pictures$xHistory. 676 $a791.4309 700 $aSultanik$b Aaron$01564190 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790234003321 996 $aCinemulacrum$93833121 997 $aUNINA LEADER 03529nam 2200517 450 001 9910815255903321 005 20230621005221.0 010 $a1-4773-1206-4 010 $a1-4773-1205-6 024 7 $a10.7560/312049 035 $a(CKB)3710000001400587 035 $a(MiAaPQ)EBC4875063 035 $a(MiAaPQ)EBC7171738 035 $a(Au-PeEL)EBL7171738 035 $a(DE-B1597)587015 035 $a(DE-B1597)9781477312056 035 $a(EXLCZ)993710000001400587 100 $a20171024h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aCormac Mccarthy and performance $epage, stage, screen /$fStacey Peebles 205 $aFirst edition. 210 1$aAustin, [Texas] :$cUniversity of Texas Press,$d2017. 210 4$d©2017 215 $a1 online resource (253 pages) 311 $a1-4773-1231-5 311 $a1-4773-1204-8 320 $aIncludes bibliographical references and index. 327 $aIntroduction. Cormac Mccarthy, center stage -- First forays : early film interest and The Gardener's Son -- The unproduced screenplays : "Cities of the Plain," "Whales and Men," and "No Country for Old Men" -- Works for theater : The Stonemason and The Sunset Limited -- Keeping the faith : All the Pretty Horses and The Road -- Tragic success stories : No Country for Old Men and The Sunset Limited -- Great expectations : The Counselor and Child of God -- Conclusion. Bears that dance, bears that don't: the attempts to adapt Blood Meridian. 330 $aCormac McCarthy is renowned as the author of popular and acclaimed novels such as Blood Meridian, All the Pretty Horses, and The Road. Throughout his career, however, McCarthy has also invested deeply in writing for film and theater, an engagement with other forms of storytelling that is often overlooked. He is the author of five screenplays and two plays, and he has been significantly involved with three of the seven film adaptations of his work. In this book, Stacey Peebles offers the first extensive overview of this relatively unknown aspect of McCarthy?s writing life, including the ways in which other artists have interpreted his work for the stage and screen. Drawing on many primary sources in McCarthy?s recently opened archive, as well as interviews, Peebles covers the 1977 televised film The Gardener?s Son; McCarthy?s unpublished screenplays from the 1980s that became the foundation for his Border Trilogy novels and No Country for Old Men; various successful and unsuccessful productions of his two plays; and all seven film adaptations of his work, including John Hillcoat?s The Road (2009) and the Coen brothers? Oscar-winning No Country for Old Men (2007). Emerging from this narrative is the central importance of tragedy?the rich and varied portrayals of violence and suffering and the human responses to them?in all of McCarthy?s work, but especially his writing for theater and film. 606 $aMotion picture authorship$xHistory and criticism 606 $aPlaywriting$xHistory and criticism 615 0$aMotion picture authorship$xHistory and criticism. 615 0$aPlaywriting$xHistory and criticism. 676 $a813/.54 700 $aPeebles$b Stacey L$g(Stacey Lyn),$f1976-$01634876 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815255903321 996 $aCormac Mccarthy and performance$94077088 997 $aUNINA