LEADER 03462oam 2200673I 450 001 9910790229303321 005 20230126211026.0 010 $a1-136-82964-4 010 $a1-280-68250-7 010 $a1-136-82965-2 010 $a9786613659446 010 $a0-203-83148-9 024 7 $a10.4324/9780203831489 035 $a(CKB)2670000000203674 035 $a(EBL)692333 035 $a(OCoLC)794663249 035 $a(SSID)ssj0000663999 035 $a(PQKBManifestationID)11378178 035 $a(PQKBTitleCode)TC0000663999 035 $a(PQKBWorkID)10612991 035 $a(PQKB)10003794 035 $a(MiAaPQ)EBC692333 035 $a(Au-PeEL)EBL692333 035 $a(CaPaEBR)ebr10570410 035 $a(CaONFJC)MIL365944 035 $a(OCoLC)795008732 035 $a(EXLCZ)992670000000203674 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPlay, creativity, and social movements $eif I can't dance, it's not my revolution /$fBenjamin Shepard 210 1$aNew York :$cRoutledge,$d2011. 215 $a1 online resource (331 p.) 225 1 $aRoutledge advances in sociology ;$v57 300 $aDescription based upon print version of record. 311 $a0-415-96324-9 320 $aIncludes bibliographical references and index. 327 $aCover; Play, Creativity, and Social Movements. If I Can't Dance, It's Not My Revolution; Copyright; Contents; Lists of Figures; Foreword; Acknowledgments; Notes toward an Introduction. From Play to Eternity; 1. Surrealists, Situations, and Street Parties. History, Play, and Social Movements; 2. Play as Prank. From the Yippies to the Young Lords; 3. Send in the Clowns. Play, Pleasure, and Struggles against Oblivion; 4. Play as Community Building. From Gardens to Global Action; 5. Play as Street Party. Reclaiming Streets and Creating More Gardens! 327 $a6. Playing in Topsy-Turvy Times. From Carnival to Carnage7. From Play to Panic. Ludic Organizing in Absurd Times; 8. The Limits of Play. Radical Clowning vs. Tomato Picking; Notes toward a Conclusion. Reflections on the Study of Play in Social Movements; Interviews; A Brief Glossary of Groups; References; About the Author; Index 330 $aAs we play, we step away from stark reality to conjure up new possibilities for the present and our common future. Today, a new cohort of social activists are using it to create social change and reinvent democratic social relations. In contrast to work or routine, play must be free. To the extent that it is, it infuses a high-octane burst of innovation into any number of organizational practices and contexts, and invites social actors to participate in a low-threshold, highly democratic process of collaboration, based on pleasure and convivial social relations. Despite the contention that suc 410 0$aRoutledge advances in sociology ;$v57. 606 $aSocial movements 606 $aPlay$xSocial aspects 606 $aPlay$xPsychological aspects 615 0$aSocial movements. 615 0$aPlay$xSocial aspects. 615 0$aPlay$xPsychological aspects. 676 $a303.48/409 700 $aShepard$b Benjamin Heim.$0476675 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790229303321 996 $aPlay, creativity, and social movements$9244996 997 $aUNINA