LEADER 02224nam  2200541 a 450 
001 9910790154003321
005 20230801222326.0
010   $a1-283-95346-3
010   $a1-78042-720-4
035   $a(CKB)2670000000170692
035   $a(EBL)886857
035   $a(OCoLC)784886792
035   $a(SSID)ssj0000661368
035   $a(PQKBManifestationID)12301765
035   $a(PQKBTitleCode)TC0000661368
035   $a(PQKBWorkID)10710970
035   $a(PQKB)10946490
035   $a(Au-PeEL)EBL886857
035   $a(CaPaEBR)ebr10556178
035   $a(CaONFJC)MIL426596
035   $a(MiAaPQ)EBC886857
035   $a(EXLCZ)992670000000170692
100   $a20120516d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCaravaggio$b[electronic resource] /$f[authors, Fe?lix Witting and M.L. Patrizi]
210   $a[New York, N.Y. $cParkstone International$d2012?]
215   $a1 online resource (256 p.)
225 1 $aMega Square
300   $aIncludes index.
311   $a1-906981-43-4 
320   $aIncludes bibliographical references and index.
327   $aBiography; THE PAINTER OFPLEASURES AND TABOOS; CARAVAGGIO OR THEAESTHETIC EVOLUTION; Bibliographical Notes; Index of Illustrations
330   $aIt was not until the middle of the 20th century that Caravaggio (1571-1610), an Italian painter long considered controversial, was rediscovered. An advocate of Realism, this artist of the Counter-Reformation challenged the establishment and returned a sense of humanity to images of the saints. The sensuality he gave them went beyond veneration to create an ambiguous eroticism, which incurred the wrath of the Church. Paradoxical and violent, this painter of shadows illustrated with solemnity his debauched lifestyle and dissolute morals. With his invention of chiaroscuro, he made his blood-soake
410  0$aMega Square
676   $a759.5
700   $aWitting$b Felix$fb. 1873.$01523715
701   $aPatrizi$b M. L$0675609
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910790154003321
996   $aCaravaggio$93809238
997   $aUNINA