LEADER 05014oam 2200685I 450 001 9910784572103321 005 20230519165448.0 010 $a1-136-05130-9 010 $a1-280-96400-6 010 $a9786610964000 010 $a0-08-047060-2 024 7 $a10.4324/9780080470603 035 $a(CKB)1000000000362580 035 $a(EBL)286666 035 $a(OCoLC)476038265 035 $a(SSID)ssj0000131712 035 $a(PQKBManifestationID)11129531 035 $a(PQKBTitleCode)TC0000131712 035 $a(PQKBWorkID)10027762 035 $a(PQKB)11763100 035 $a(Au-PeEL)EBL286666 035 $a(CaPaEBR)ebr10167031 035 $a(CaONFJC)MIL96400 035 $a(OCoLC)123419322 035 $a(CaSebORM)9780240806419 035 $a(MiAaPQ)EBC286666 035 $a(EXLCZ)991000000000362580 100 $a20180706d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCrafting short screenplays that connect /$fClaudia Hunter Johnson 205 $a2nd ed. 210 1$aBurlington, Mass. :$cFocal Press, an imprint of Elsevier,$d2005. 215 $a1 online resource (303 p.) 300 $aDescription based upon print version of record. 311 $a1-136-05129-5 311 $a0-240-80641-7 320 $aIncludes bibliographical references (p. 279-281) and index. 327 $aFront Cover; Crafting Short Screenplays That Connect; Copyright Page; Contents; Preface to the Second Edition; Acknowledgments; Introduction: The Power and Importance of Human Connection; Part I: Preparing to Write the Short Screenplay; Chapter 1.Connecting to Purpose; Only Connect; The Screenplay Paradox; Chapter 2.Connecting to Self; Le Menu; Depart the Donne?e; Chapter 3.Connecting to Process; The Space-Time Conundrum; Madness in Your Method; Creating Rituals; Taking Care of Yourself; Just Do It; Chapter 4.Connecting to Screenplays; Surface and Deep Action; Making Change; The Mood Exercise 327 $aThe Pearl in the OysterEmotional Flow; Everything You Need to Know You Can LearnFrom City Lights; Demystifying Format; Chapter 5. Connectingto Collaboration; Top Ten Reasons to Write With a Partner; Finding the Right Writing Partner; The Space-Time Conundrum, The Sequel; Co-Drafting the Script; Dealing With Disagreements; Part II: Five (Not So) Easy Screenplays; Chapter 6.The Discovery; The First Screenplay-The Discovery; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 7.The Decision 327 $aThe Second Screenplay-The DecisionChoosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 8.The Boxing Match; The Third Screenplay-The Boxing Match; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 9.The Improbable Connection; The Fourth Screenplay-The Improbable Connection; Choosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Chapter 10.The Long Short Screenplay 327 $aThe Fifth Screenplay-The Long Short ScreenplayChoosing an Idea; Developing Character; Developing Story and Structure; Drafting the Screenplay; Rewriting the Screenplay; Part III: Seven Screenplays That Make It Look Easy; Chapter 11.Kosher (by Aimee Barth); Chapter 12.My Josephine (by Barry Jenkins); Chapter 13. A Work in Progress (by Wes Ball); Chapter 14.Lena's Spaghetti (by Rachel A. Witenstein); Chapter 15.Cool Breeze and Buzz (by Lani Sciandra); Chapter 16. The Making of "Killer Kite" (story By Matt Stevens, screenplay By Robert S. Gray) 327 $aChapter 17.Slow Dancin' Down the Aisles of the Quickcheck (by Thomas Wade Jackson)Chapter 18.Conclusion; Appendix A: Available Screenwriting Software; Appendix B: Films Referenced; Appendix C: Further Reading; Index 330 $aThe only screenwriting book that includes a DVD that contains performances of the short films and screenplays that are featured in the book!The beauty and power of any story lies in its ability to connect to the reader, listener, or observer. Crafting Short Screenplays That Connect is the first screenwriting guide to introduce connection as an essential, although essentially overlooked, aspect of creating stories for the screen and of the screenwriting process itself. Written with clarity and humor, this book teaches the craft of writing short screenplays by gui 606 $aMotion picture authorship 606 $aShort films 615 0$aMotion picture authorship. 615 0$aShort films. 676 $a808.2/3 700 $aJohnson$b Claudia$g(Claudia Hunter),$01584275 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784572103321 996 $aCrafting short screenplays that connect$93867940 997 $aUNINA LEADER 03276nam 22006131c 450 001 9910790034903321 005 20200115203623.0 010 $a1-4725-4055-7 010 $a1-283-14929-X 010 $a9786613149299 010 $a1-4411-0276-0 024 7 $a10.5040/9781472540553 035 $a(CKB)2670000000092487 035 $a(EBL)692803 035 $a(OCoLC)726734876 035 $a(SSID)ssj0000520786 035 $a(PQKBManifestationID)12148923 035 $a(PQKBTitleCode)TC0000520786 035 $a(PQKBWorkID)10514904 035 $a(PQKB)10200643 035 $a(MiAaPQ)EBC692803 035 $a(Au-PeEL)EBL692803 035 $a(CaPaEBR)ebr10470200 035 $a(CaONFJC)MIL314929 035 $a(OCoLC)728680746 035 $a(UtOrBLW)bpp09255507 035 $a(EXLCZ)992670000000092487 100 $a20140929d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAfter Demosthenes $ethe politics of early Hellenistic Athens $fAndrew J. Bayliss 210 1$aLondon $aNew York $cContinuum $d2011. 215 $a1 online resource (289 p.) 300 $aDescription based upon print version of record. 311 $a1-4411-8496-1 311 $a1-4411-1151-4 320 $aIncludes bibliographical references (pages [254]-270) and index 327 $aIntroduction -- 1. The Reception of Hellenistic Athens -- 2. Ideology in Early Hellenistic Athens -- 3. The Enemy Within: Oligarchy in Hellenistic Athens -- 4. Democracy in Hellenistic Athens -- 5. Phocion: 'the Good' or the Bad? -- 6. Stratocles of Diomeia: Audacious Buffoon or Shamelessly Bold? -- 7. Callippus of Eleusis: Tin-pot General or Generalissimo? -- Conclusion -- Bibliography 330 8 $aThis volume challenges preconceptions of Athenian politics and history. It sets out to demonstrate that the widely received view that Hellenistic Athens and her political leaders were radically different from their Classical counterparts is fundamentally flawed. Through a re-examination of the internal politics of Hellenistic Athens, both in terms of its key institutions and its political leaders, After Demosthenes provides a comprehensive analysis of Athenian political life from 322-262 BC. Drawing on literary and epigraphic evidence the book identifies those who participated in the governing of Athens, and their motives for doing so, and redefines the nature of Athenian political ideology in the process. The leading political figures, each of whom can be identified with a particular ideological viewpoint, are explored in a series of biographical studies. Examining the intellectual origins of modern scholarly criticism of democracy in the Athens of this period, this volume shows how the politics of scholarly discourse have distorted modern views of Hellenistic Athens. 606 $2Classical history / classical civilisation 607 $aGreece$xHistory$y281-146 B.C 607 $aGreece$xPolitics and government$yTo 146 B.C 676 $a938/.5 700 $aBayliss$b Andrew J.$0925763 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910790034903321 996 $aAfter Demosthenes$93794145 997 $aUNINA