LEADER 05218nam 2200613 450 001 9910790025403321 005 20230725032737.0 010 $a1-4443-9377-4 035 $a(CKB)2670000000152855 035 $a(EBL)819474 035 $a(OCoLC)778339375 035 $a(SSID)ssj0000633553 035 $a(PQKBManifestationID)12290495 035 $a(PQKBTitleCode)TC0000633553 035 $a(PQKBWorkID)10616612 035 $a(PQKB)11115521 035 $a(MiAaPQ)EBC819474 035 $a(Au-PeEL)EBL819474 035 $a(CaPaEBR)ebr11098018 035 $a(CaONFJC)MIL234199 035 $a(EXLCZ)992670000000152855 100 $a20160408d2011 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to classical receptions /$fedited by Lorna Hardwick and Christopher Stray 210 1$aChichester, West Sussex :$cWiley-Blackwell,$d2011. 215 $a1 online resource (1094 p.) 225 1 $aBlackwell companions to the ancient world. Literature and culture 300 $aDescription based upon print version of record. 311 $a1-4443-3922-2 320 $aIncludes bibliographical references and index. 327 $aCover; Half Title Page; Title Page; Copyright; Figures; Contributors; Acknowledgements; Introduction: Making Connections; Contest and Debate in Classical Reception Research; Themes and Approaches in This Book; Part I: Reception within Antiquity and Beyond; Chapter One: Reception and Tradition; Introduction; Reception and the Anacreontic tradition; Reception and the Homeric Tradition; Conclusions; Further Reading; Chapter Two: The Ancient Reception of Homer; Defining the Subject; Modes of Reception; Temporalities; Further Reading 327 $aChapter Three: Poets on Socrates' Stage: Plato's Reception of Dramatic ArtDrama in Plato's Dialogues; Plato and the Athenian Polis: Centre and Periphery?; Further Reading; Chapter Four: 'Respectable in Its Ruins': Achaemenid Persia, Ancient and Modern; The Formation of 'Persia'; The Modern study of the Achaemenids; Further Reading; Chapter Five: Basil of Caesarea and Greek Tragedy; Christians and the Classics; The Theatre in Basil's Treatise; The Theatre, Mimesis and Morality; Further Reading; Part II: Transmission, Acculturation and Critique 327 $aChapter Six: 'Our Debt to Greece and Rome': Canon, Class and IdeologyNote; Further Reading; Chapter Seven: Gladstone and the Classics; The Classics and Gladstone; The Classics and Gladstonian Conservatism; The Classics and Gladstonian Liberalism; Further Reading; Chapter Eight: Between Colonialism and Independence: Eric Williams and the Uses of Classics in Trinidad in the 1950s and 1960s; Classics as the Height of Foolishness; The Aristotle Debate; Democracy and Elitist Knowledge; Conclusion; Further Reading; Chapter Nine: Virgilian Contexts; Virgil and the Victorians 327 $aTwentieth and Twenty-first Centuries: Virgil's Eclogues, Culture and PoliticsConclusion; Further Reading; Part III: Translation; Chapter Ten: Colonization, Closure or Creative Dialogue?: The Case of Pope's Iliad; Further Reading; Chapter Eleven: Translation at the Intersection of Traditions: The Arab Reception of the Classics; The Oriental Origins; Arabic Versions of the Classics; Classics in the Arab Renaissance; Egyptian Classical Scholarship; Arab Poetic reception of Greek Mythology; Classical Drama in Arab Theatre; Further Reading 327 $aChapter Twelve: 'Enough Give in It': Translating the Classical PlayIntroduction; Translating the Stage Play; The Spirit of the Original; Aeschylus and The Oresteia; Sophocles and the Common Man; Euripides and the New Realism; Conclusion; TRANSLATIONS USED Aeschylus; Sophocles; Euripides; Further Reading; Chapter Thirteen: Lost in Translation? The Problem of (Aristophanic) Humour; Translating Verbal Humour; 'Verbal' and 'Referential' Humour; Translating Referential Humour; Translation Studies and the 'Cultural Turn'; Humour Theory; Aristophanes' Translators; Conclusion; Further Reading 327 $aPart IV: Theory and Practice 330 $aExamining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.Provides a comprehensive introduction and overview of classical reception - the interpretation of classical art, culture, and thought in later centuries, and the fastest growing area in classicsBrings together 34 essays by an international group of contributors focused on ancient and modern reception concepts and practices< 410 0$aBlackwell companions to the ancient world.$pLiterature and culture. 606 $aClassical literature$xHistory and criticism 615 0$aClassical literature$xHistory and criticism. 676 $a880.09 702 $aHardwick$b Lorna 702 $aStray$b Christopher 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790025403321 996 $aCompanion to classical receptions$91016141 997 $aUNINA