LEADER 02887oam 2200613I 450 001 9910789961903321 005 20230801221937.0 010 $a1-136-72163-0 010 $a1-283-46277-X 010 $a9786613462770 010 $a0-203-81636-6 010 $a1-136-72164-9 024 7 $a10.4324/9780203816363 035 $a(CKB)2670000000161231 035 $a(EBL)958707 035 $a(OCoLC)798530587 035 $a(SSID)ssj0000644930 035 $a(PQKBManifestationID)11429215 035 $a(PQKBTitleCode)TC0000644930 035 $a(PQKBWorkID)10680020 035 $a(PQKB)11052134 035 $a(MiAaPQ)EBC958707 035 $a(Au-PeEL)EBL958707 035 $a(CaPaEBR)ebr10534923 035 $a(CaONFJC)MIL346277 035 $a(OCoLC)782919458 035 $a(EXLCZ)992670000000161231 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBeing a director $ea life in the theatre /$fDi Trevis 210 1$aAbingdon, Oxon :$cRoutledge,$d2012. 215 $a1 online resource (201 p.) 300 $aIncludes index. 311 $a0-415-60924-0 311 $a0-415-60922-4 327 $aBEING A DIRECTOR; Copyright; Contents; List of plates; Foreword by Ronald Harwood; Acknowledgements; Introduction; Part 1 Directing: the parameters; 1 Space; 2 Time; 3 Motion; Part 2 Directing: the specifics; 4 Deciding to be a director; 5 Choosing the play; 6 Reading the play; 7 Casting the play; 8 Rehearsing the actors; 9 Forging a directing language; 10 Fluid staging; 11 Specialist skills; 12 Final work in the rehearsal room; 13 Technical rehearsals; 14 The final ingredient: the audience; Part 3 Directing: the kwoth; 15 A figure in the distance; 16 My salvation 327 $a17 I became a director one weekend18 The plays and poetry of a german and a Spaniard; 19 Things French; Notes; Index 330 $aDi Trevis is a world-renowned director, whose work with Britain's National Theatre, Royal Shakespeare Company, and directing productions worldwide, has deeply informed her knowledge of the director's craft.In Being a Director, she draws on a wealth of first-hand experience to present an immersive, engaging and vital insight into the role of a director.The book elegantly blends the personal and the pedagogical, illustrating how the parameters of Time, Space and Motion are essential when creating a successful production.Throughout, the author explores 606 $aTheatrical producers and directors$zGreat Britain$vBiography 615 0$aTheatrical producers and directors 676 $a792.092 676 $aB 700 $aTrevis$b Di.$01505886 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789961903321 996 $aBeing a director$93735838 997 $aUNINA