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100   $a20111109d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aFrom madrigal to opera$b[electronic resource] $eMonteverdi's staging of the self /$fMauro Calcagno
210  1$aBerkeley, California :$cUniversity of California Press,$d2012.
215   $a1 online resource (343 pages)
225 0 $aACLS Fellows' Publications.
300   $aDescription based upon print version of record.
311   $a0-520-26768-0 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter --$tContents --$tIllustrations --$tAcknowledgments --$tIntroduction --$tPart One. La Musica and Orfeo --$tPart Two. Constructing the Narrator --$tPart Three. Staging the Self --$tEpilogue: Subjectivity, Theatricality, Multimediality --$tAppendix 1: Tables of Contents of the Madrigal Books --$tAppendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translation --$tNotes --$tIndex
330   $aThis pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch's love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultural history, the book demonstrates that the birth of opera relied on an important feature of the madrigalian tradition: the role of the composer as a narrative agent enabling performers to become characters and hold a specific point of view.
517 3 $aMonteverdi's staging of the self
606   $aPetrarchism
610   $aart and poetry.
610   $aclassical music.
610   $acomposer history.
610   $aearly modern period.
610   $aeuropean history.
610   $aeuropean poetry.
610   $ahistory of opera.
610   $aitalian culture.
610   $aitalian history.
610   $aitalian music.
610   $aitalian poetry.
610   $aitaly and music.
610   $alive entertainment.
610   $amadrigral history.
610   $amodern music studies.
610   $amusic and performance.
610   $amusic history.
610   $aopera books.
610   $aopera composers.
610   $aopera music.
610   $aperformance studies.
610   $aperforming arts history.
610   $aperforming arts.
610   $arenaissance art.
610   $arenaissance literature.
610   $arenaissance period.
610   $atheater.
610   $atheatre.
610   $avocal music.
615  0$aPetrarchism.
676   $a782.0092
700   $aCalcagno$b Mauro P$01530500
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910789945903321
996   $aFrom madrigal to opera$93775571
997   $aUNINA