LEADER 04089nam 2201009 a 450 001 9910789945303321 005 20230607231144.0 010 $a1-280-49217-1 010 $a9786613587404 010 $a0-520-92784-2 024 7 $a10.1525/9780520927841 035 $a(CKB)2670000000174561 035 $a(EBL)894682 035 $a(OCoLC)792684649 035 $a(SSID)ssj0000633531 035 $a(PQKBManifestationID)11388795 035 $a(PQKBTitleCode)TC0000633531 035 $a(PQKBWorkID)10623277 035 $a(PQKB)10486557 035 $a(MiAaPQ)EBC894682 035 $a(DE-B1597)519418 035 $a(OCoLC)792742356 035 $a(DE-B1597)9780520927841 035 $a(Au-PeEL)EBL894682 035 $a(CaPaEBR)ebr10555077 035 $a(CaONFJC)MIL358740 035 $a(EXLCZ)992670000000174561 100 $a20010726d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCommons$b[electronic resource] /$fMyung Mi Kim 210 $aBerkeley $cUniversity of California Press$d2002 215 $a1 online resource (121 p.) 225 1 $aNew California poetry 300 $aDescription based upon print version of record. 311 $a0-520-23144-9 311 $a0-520-23131-7 327 $tFrontmatter -- $tCONTENTS -- $tACKNOWLEDGMENTS -- $tEXORDIUM -- $tLAMENTA -- $tWORKS -- $tPOLLEN FOSSIL RECORD 330 $aMyung Mi Kim's Commons weighs on the most sensitive of scales the minute grains of daily life in both peace and war, registering as very few works of literature have done our common burden of being subject to history. Abstracting colonization, war, immigration, disease, and first-language loss until only sparse phrases remain, Kim takes on the anguish and displacement of those whose lives are embedded in history.Kim's blank spaces are loaded silences: openings through which readers enter the text and find their way. These silences reveal gaps in memory and articulate experiences that will not translate into language at all. Her words retrieve the past in much the same way the human mind does: an image sparks another image, a scent, the sound of bombs, or conversation. These silences and pauses give the poems their structure.Commons's fragmented lyric pushes the reader to question the construction of the poem. Identity surfaces, sinks back, then rises again. On this shifting ground, Kim creates meaning through juxtaposed fragments. Her verse, with its stops and starts, its austere yet rich images, offers splinters of testimony and objection. It negotiates a constantly changing world, scavenging through scraps of experience, spaces around words, and remnants of emotion for a language that enfolds the enormity of what we cannot express. 410 0$aNew California poetry. 606 $aKorean Americans$vPoetry 606 $aImmigrants$vPoetry 607 $aKorea$vPoetry 610 $aamerican poetry. 610 $acolonial. 610 $acolonies. 610 $acolonization. 610 $aconfessional. 610 $aconversation. 610 $acreative writing. 610 $adisease. 610 $aenglish poetry. 610 $afirst language. 610 $ahistorical. 610 $ahistory. 610 $aimmigrant poetry. 610 $aimmigration. 610 $alanguage loss. 610 $alife story. 610 $aliterature. 610 $aloaded silence. 610 $alyric poetry. 610 $alyric. 610 $apeace. 610 $apersonal. 610 $apoetic. 610 $apoetics. 610 $apoetry collection. 610 $apoetry. 610 $atrue story. 610 $awar. 610 $awartime. 610 $awriting poetry. 615 0$aKorean Americans 615 0$aImmigrants 676 $a811/.54 700 $aKim$b Myung Mi$f1957-$01530494 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789945303321 996 $aCommons$93775565 997 $aUNINA