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181   $ctxt
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200 10$aLutyens, Maconchy, Williams and twentieth-century British music$b[electronic resource] $ea blest trio of sirens /$fRhiannon Mathias
210   $aFarnham, Surrey, U.K. ;$aBurlington, VT $cAshgate Pub.$d2012
215   $a1 online resource (324 p.)
300   $aDescription based upon print version of record.
311   $a0-7546-5019-7 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Music Examples; Acknowledgements; Introduction; Part I: 1926-1935; 1 The Musical Evangelization of Kensington; 2 Professional Composers: Study Abroad and the Macnaghten-Lemare Concerts; Part II: 1935-1955; 3 Lutyens: Music in London; 4 Maconchy: An Impassioned Argument; 5 Williams: To the Wild Hills; Part III: 1955-1994; 6 Lutyens: And Suddenly It's Evening; 7 Maconchy: My Dark Heart; 8 Williams: My Last Duchess; Conclusion; Appendix; Selected Bibliography; Index
330   $aContemporaries at the Royal College of Music, Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994) and Grace Williams (1906-1977) were important figures in twentieth-century British music. Combining musical analysis with contextual material drawn from documents and interviews, Rhiannon Mathias re-evaluates the composers' positions in British music history.
606   $aMusic$zGreat Britain$y20th century$xHistory and criticism
615  0$aMusic$xHistory and criticism.
676   $a780.92/52
676   $aB
700   $aMathias$b Rhiannon$f1968-$01579762
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906   $aBOOK
912   $a9910789935303321
996   $aLutyens, Maconchy, Williams and twentieth-century British music$93860070
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